The exploding popularity of animé inspired this festival flashback from 2015.  Patema is a precocious teen who loves to explore the caverns and tunnels of her subterranean world until she falls into the DANGER ZONE! Saved by an equally rebellious young man who is charmed by this upside-down girl, they fight to save her from the totalitarian government that seeks to annihilate the freethinking people they represent. 

Ya’ know, middle school can be complicated. There’s a lot going on in these minds and bodies. This amazing short and inspiring feature film both capture how some middle schoolers are trying to figure it all out.

ZERO GRAVITY follows a diverse group of middle-school students from San Jose, CA, who compete in a nationwide tournament to code satellites aboard the International Space Station. Does Rhode Island have a middle school that participates? Join us to ask the director, Thomas Verette in a live (virtual) Q&A on February 25th at 11:00am. To sign up go to Reel Connections link on our home page.

Y’ALL R REAL ONES: U.S. Premiere! A rare glimpse into the daily lives of early adolescents in one public middle school in New York City and a glorious reminder of what school can be when everyone is together — featuring an ensemble of diverse tweens and faculty members who embrace the messiness of these joyous years. (2021 / 10 mins / USA / dir. Camilla Calamandrei / in English / ages 10+)

This futuristic film, with BLADE RUNNER-esque grit, depicts a world where robots are as prolific as cell phones are today. Since his mother passed away, Tibor, age 11, has relied more strongly than ever on his lifelong friend T.I.M. (The Incredible Machine). T.I.M. is in need of a major overhaul, and so Tibor’s father trades T.I.M. in for an upgrade. But how do you upgrade a “friend”? A peril-filled quest, Tibor’s search for T.I.M. puts his friendship to the ultimate test.

Do you have what it takes to be an astronaut? If not, do you have 30 million dollars? It won’t get you onto a NASA spaceship but it will buy a berth on a Russian one. In this documentary, computer game developer Richard Garriott realizes his dream to follow his astronaut dad’s path into space by purchasing a seat on a Soyuz rocket to the International Space Station. “Man on a Mission” shows like never before what it takes to prepare to go to space and how it feels once you get there … and back.

REVIEWS:

“…Man on a Mission will be an exhilarating documentary for anyone interested in space travel, and probably even for those who aren’t. Garriott’s journey is quite interesting and unique, beginning with his days as a young man when he came up with some of his first computer games, to his financial success investing in various companies, some of which are pioneering the idea of space tourism. If Garriott’s life had not been as interesting as it was, this documentary could have suffered, but what we end up with is a really well put together autobiographical snapshot of Garriott, and a captivating view of the Russian space program, from their intense training to the rituals they exact on Garriott before his liftoff into space.

This is a documentary that will ultimately appeal to a very wide audience. Man on a Mission should garner a fair amount of press in part due to the amazing footage of Earth Garriott captured while on his journey. Being a fan of space travel, I can’t recall seeing another documentary that so effectively captures the thrill of space travel. If you have children, I urge you to take them to see this little beauty, as it provides some of the most well-documented material on what astronauts go through during training and while in space, as well as the aforementioned footage. If you’re an adult, Garriott’s financial success story and taste for adventure should inspire you, and will hopefully encourage any naysayers in the United States that space travel is not a waste of tax-payer money, but a necessity that serves many purposes and can help to bolster the pride of a nation.” – as reviewed by Dirk Sonniksen

In a contemporary small town around a closed-down factory, bored ‘tween friends, some from broken homes, are looking for creative ways to spend their time. They build forts, issue dares and tease one another. The Crocodiles is the name of this gang of 11-year-olds and a newcomer (who uses a wheelchair) wants in.

Part Hardy Boys, part “Stand By Me,” part “The Outsiders,” this fast-paced film combines classic elements with a larger message of breaking down stereotypes. Please be warned that the dialogue is stronger than an American audience may be used to. There is a domestic abuse scene. Slurs and stereotypes are expressed. However, this difficult dialogue is not used for shock value. It is part of the larger and more important narrative of kids learning how hurtful their exclusionary actions and hateful words can be, then making amends.

“No matter what we do, is it really going to make a difference?” This corrosive statement becomes the core of “ReGENERATION,” a documentary that succeeds as a lightning rod for social change through thought and action. Strongly calling out the apathy of the current generation of youth and young adults, the film, narrated by Ryan Gosling, presents a cross-section of perspectives from a society fed more through corporate media than by truth. Unique commentary on the problems facing our society are explored through an inspired collective of musicians (STS9), a 20-something conservative family and a group of five suburban high school students looking for their place in the world. As the powerful evidence of our reliance on technology, disconnection with nature, excessive consumption and loss of history add up, leading scholars from around the world (including Howard Zinn, Noam Chomsky), journalists (Amy Goodman) and media personalities, Mos Def and Talib Kweli) stimulate the discussion with their wisdom and personal reflections. As engaging as it is insightful, ReGENERATION stands to be heard and energizes audiences to join its march to a world of passionate action.

 

This suspenseful story carries a strong warning about the Internet as it is evolving today. When one computer-savvy teenager unwittingly cracks a security code to an international site that most people use every day…havoc ensues. With ingredients of uncommon-nerd heroes, Takeshi Murakami-designed internet avatars and of course, teenage crushes: This film will keep you glued to your seat, laptop, Smartphone …

Kenji, a teenage math prodigy, is recruited by his secret crush for the ultimate summer job – passing himself off as her boyfriend for four days during her grandmother’s 90th birthday celebration. But when Kenji solves a 2,056-digit math riddle sent to his cell phone, he unwittingly breaches the security barricade protecting OZ: a globe-spanning virtual world where millions of people and governments interact through their avatars, handling everything from online shopping and traffic control to national defense and nuclear launch codes. Now a malicious AI program called the Love Machine is hijacking Oz accounts, growing exponentially more powerful and sowing chaos and destruction in its wake.

This intriguingly intelligent cyberpunk/sci-fi story is a visual tour-de-force, especially the amazing world of OZ: a hallucinatory pixel parade of cool avatar designs, kung fu jackrabbits, toothy bears and a bursting rainbow of colors.

REVIEWS:

“A stunning mixture of hand-drawn and CGI visuals in an endlessly colorful world filled with grotesque, razor-sharp toothed avatars. Its thematic ambition and dazzling visual style ultimately make it one of the more rewarding anime efforts to reach these shores!” – Hollywood Reporter

“A whirlwind of a film! Further proof Japan does grown-up children’s stories better than the United States!” – The New York Times

Enjoy this inside look at the nuts and bolts of Indy racing cars, as large and loud as life. Mario Andretti and his son Michael race in competition with cameras mounted on their cars, capturing the speed and heart-pounding thrills of racing in a way few films have ever attempted. Paul Newman is the narrator, but the stars are the cars. “Super Speedway” and many other experiential films were the first to be shown regularly in IMAX venues.

Once dubbed “the most famous man in the world,” Charlie Chaplin has long been recognized as one of the preeminent icons of both comedy and cinema. From 1914 until 1967, Chaplin wrote, directed, produced and starred in more than 80 films, quickly advancing from basic slapstick to a unique comic style: immaculately constructed, deeply human, and always hilarious. “Modern Times” is one of his most acclaimed works that can make a child (or the child in us) laugh with abandon while truly empathizing with his iconic character, the down-and-out Tramp.

Because of its cultural significance, “Modern Times” was selected by the Library of Congress in 1989 for preservation in the National Film Registry.

Fearing the possibility of being split up because of their grandmother’s illness, a young brother and sister embark on an unforgettable journey through breathtaking landscapes of rural Scotland. SIDE BY SIDE is a rare and genuinely heartfelt story about two very different siblings growing closer because they must depend on one another during an unsettling time.

Lauren and her younger brother, Harvey, live with their elderly grandmother who needs constant care. When the old woman is sent to a nursing home, Lauren accepts a scholarship to a prestigious sports academy believing that she and Harvey will stay together and live with Janice, Lauren’s calculating and deceitful sports agent. It soon becomes clear, however, that Janice’s real intention is to split the pair up to better exploit Lauren’s athletic talent. When Harvey runs away to fulfill the promise he made to Grandma to find their long-lost grandfather, Lauren follows after him. En route, brother and sister discover that, despite all their differences, when they are side by side they are strong enough to deal with anything, even their biggest fears. As we follow their journey across the beautiful British countryside, we slowly come to realize that it is the journey, not the destination that really matters.

Part road movie, part Bildungsroman, part family drama and part children’s escapade, Arthur Landon’s endearing feature-film debut explores the solid bond between a sister and brother, and celebrates the importance of coming together.