“No matter what we do, is it really going to make a difference?” This corrosive statement becomes the core of “ReGENERATION,” a documentary that succeeds as a lightning rod for social change through thought and action. Strongly calling out the apathy of the current generation of youth and young adults, the film, narrated by Ryan Gosling, presents a cross-section of perspectives from a society fed more through corporate media than by truth. Unique commentary on the problems facing our society are explored through an inspired collective of musicians (STS9), a 20-something conservative family and a group of five suburban high school students looking for their place in the world. As the powerful evidence of our reliance on technology, disconnection with nature, excessive consumption and loss of history add up, leading scholars from around the world (including Howard Zinn, Noam Chomsky), journalists (Amy Goodman) and media personalities, Mos Def and Talib Kweli) stimulate the discussion with their wisdom and personal reflections. As engaging as it is insightful, ReGENERATION stands to be heard and energizes audiences to join its march to a world of passionate action.
Set in scenic but strife-ridden Kashmir, “Tahaan” tells the story of an eight-year-old boy who tries to gain back his beloved pet donkey that has been sold along with his family’s possessions to pay the family debt. He wanders village and countryside, navigates border checkpoints, negotiates with merchants and money lenders on his quest – and is recruited to hurl a grenade into an army compound. Lush cinematography and a recurring chorus of Sufi singers add texture to this tender fable.
In a tale akin to “Romeo and Juliet,” the strong bond between two children is threatened by their parents’ differences. Malú is from an upper-class family and her single mother does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother, a poor Socialist, proud of her family’s social standing, places similar restrictions on her son. When the children learn that Malú’s mother is planning to leave Cuba, they decide to travel to the other side of the island to find Malú’s father and persuade him against signing the forms that would allow it.
In partnership with RISD Museum and Gallery Night Providence, PCFF 2014 brought back one of 2013’s audience favorites for a command – and free! – performance. “Le Tableau” is set within the world of an idyllic but incomplete painting, long ago abandoned by its painter. In his absence, the figures in the painting have taken over the narrative to serve their own ends. After the screening, you will be invited to explore, with the guidance of museum educators, RISD’s own collection of All-Dones, Sketchies and Halfies!
REVIEWS:
“Enchanting! This consistently enjoyable, inventive and beautifully crafted tale is a color riot suitable for all ages! A constant feast for the eyes!” – Variety (8/12)
Three countries. One passion. Three hundred bodies — climbing, reaching the sky to build a human tower.
In Mumbai, India, a team of men attempt to break the Indian record for biggest human tower at the one-day Dahi Handi Festival. In Vilafranca del Penedès, Spain, a group of castellers ( climbers) formed by men, women and children share their passion with the world following a tradition that goes back 400 years. A legendary coach takes his passion to Santiago, Chile, hoping to empower and help the local groups to improve their performances while unifying them as a community.
The film cuts between the three countries, leading to a major climatic scene that will take your breath away and keep you on the edge of your seat. All it takes is one shaky foot and the human tower falls, sending hundreds of bodies tumbling in the rain or into the mud or onto the crumbling pavement of a forgotten neighborhood. A passion beyond race, borders, and ages. A global story of fearless skills heart-pounding suspense and also of human connection.
Why Make Human Towers? Human towers are medicine for the soul. You risk your life for a moment of sublime camaraderie and community. Trust is paramount. All it takes is one shaky foot and the entire tower falls, sending you and hundreds of others tumbling into the air, onto each other and then onto the pavement. Building human towers is more than a quirky attraction, more than an international sport and more than a refuge for lost youth. It’s more even than a thirst for the glory of winning. A human tower, when done right, represents an unparalleled passion for human connection that goes beyond race, borders and ages. In this sense, the world’s best human tower builders represent all of us — all people, all communities, all nations — in our hope for a better future.
Fans of Hayao Miyazaki and Studio Ghibli, it’s time to expand your horizons! This beautiful, modern-day fairy tale is the latest animated feature from Mamoru Hosoda (“Summer Wars,” screened at PCFF 2011; “The Girl Who Leapt Through Time”). “Wolf Children” is an exquisite fantasy about a single mom, Hana, who had the misfortune of falling in love with a wolf man. He was kind and considerate, but given to roaming the streets at night on four legs—which is how he comes to a tragic end. Alone, Hana learns to care for kids who have the plucky charm of young humans, but the unpredictability and appetite of growing puppies. With its gorgeous animation and sensitive, multifaceted direction, this is a funny, exhilarating and touching film about nature, nurture, and the call of the wild. It’s ideal family viewing—and equally suited to wolf packs.
Ten-year-old Wadjda challenges deep-rooted Saudi traditions in a determined quest to buy a bicycle. When everything goes against her plans, she sees one last chance in her school’s Koran recitation competition and the large cash prize for first place. The first film ever shot entirely in Saudi Arabia, “Wadjda” is the story of a girl determined to fight for her dreams.
REVIEWS:
“A sharply observed, deceptively gentle film, reportedly the first feature ever directed by a Saudi woman. The movie presents the facts of its heroine’s life with calm authority and devastating effectiveness. With impressive agility, WADJDA finds room to maneuver between harsh realism and a more hopeful kind of storytelling. There is warmth as well as austerity in Wadjda’s world, kindness as well as cruelty, and the possibility, modestly sketched and ardently desired, of change. Buoyant.” -AO Scott, THE NEW YORK TIMES
“The film marks a huge triumph for its female director…a remarkable film twice over.” -Kenneth Turan, THE LOS ANGELES TIMES
“It’s always fascinating to discover what can make us happy, both as moviegoers and citizens of the world. WADJDA does the trick…funny and touching in equal measure.” -Joe Morgenstern, THE WALL STREET JOURNAL
Played at 2014 PCFF to celebrate the 25th anniversary of one of Japan’s masterpieces of animation.
One of the most endearing and internationally renowned films of all time, a film that Roger Ebert called “one of the five best movies” ever made for children, “My Neighbor Totoro” is a deceptively simple tale of Satsuki and Mei, two young girls who move with their father to the countryside while their mother convalesces in a nearby hospital. They soon discover that the surrounding forests are home to a family of Totoros, gentle but powerful creatures who live in a huge and ancient camphor tree and are seen only by children. Based on Miyazaki’s own childhood imaginings, Totoros look like oversized pandas with bunny ears, the largest of which takes the girls on spinning-top rides through the tree tops, introduces them to a furry, multi-pawed Catbus—a nod to Lewis Carroll’s Cheshire Cat—and ultimately brings the two much closer together as sisters.
Beneath the film’s playfulness and narrative simplicity lie depths of wisdom. As with much of Miyazaki’s work, at its core “My Neighbor Totoro” is about humankind’s relationship to the Earth. The film is infused with an almost spiritual reverence for the power of nature (a philosophy tied to the ancient Shinto belief that every object in nature has a soul). Everything that surrounds us, from light-dappled tree groves, to the marvelous clouds, echoes the density and lusciousness of life. Protected by the Totoros, we know no harm will come to our two heroines in the forest’s sunlit glades and mysterious shadows. The girls may be awed by the power and majesty around them, but they understand instinctively that nature has no malice. The viewer is left with a sense of wonder at the beauty, mystery and preciousness of the world all around us.
Patema is a precocious teen who loves to explore the caverns and tunnels of her subterranean world until she falls into the DANGER ZONE! In her inverted gravity world, she falls upwards to the Earth’s surface and risks falling into the sky. Saved by an equally rebellious young man who is charmed by this upside-down girl, they fight to save her from the totalitarian surface government that seeks to annihilate her subterranean civilization and the freethinking people they represent. A dizzying, suspenseful animé.
** Rhode Island Premiere **
From the director of one of the first PCFF films ever brought to Providence (Academy Award-nominated THE SECRET OF KELLS), this film is a captivating animated adventure inspired by the ancient Irish legend of the selkies, magical beings who live as seals in the water and as humans on land. A young brother and sister must unlock the magical secrets of their ancestry in order to find their way home.
Director Tomm Moore’s follow-up to the Oscar-nominated THE SECRET OF KELLS is a beautiful and seamlessly crafted animated feature. A similarly haunting score matches haunting visuals. The fluid animation is emphasized by striking watercolor backgrounds that enable the beautifully realized hand-drawn characters to pop from the screen. The variety of the textures, shadows and forms that appear on screen is entrancing. Much like Kells, Moore’s second feature reinforces or underscores his reputation as a champion of Irish culture, language and mythology. While it’s a children’s film first and foremost, it will also delight adults and animation lovers alike. The predominant themes of loss and love in writer William Collins’ story are joined by several particularly interesting metaphors, including the importance of the perpetuation of Irish language, culture and mythology. SONG OF THE SEA is a touching story of loss on a multitude of levels; the loss of innocence, the loss of a loved one, and the loss of a rich and deep culture that the film ultimately celebrates.