Parkour – a movement discipline based on French military obstacle-course training – might be considered controversial, but seeing it is not. Cedric Dahl’s documentary follows five American parkour practitioners who share this passion for movement. Characterized as a physical “type of freedom,” “kind of expression,” and “state of mind,” parkour has influenced the stunts in action films from Bond to Bourne. But there’s much more to it than chasing the bad guy with acrobatic moves. As one practitioner comments, “If you listen to the movement it teaches us to touch the world and interact instead of being sheltered by it.”

Three countries. One passion. Three hundred bodies — climbing, reaching the sky to build a human tower.

In Mumbai, India, a team of men attempt to break the Indian record for biggest human tower at the one-day Dahi Handi Festival. In Vilafranca del Penedès, Spain, a group of castellers ( climbers) formed by men, women and children share their passion with the world following a tradition that goes back 400 years. A legendary coach takes his passion to Santiago, Chile, hoping to empower and help the local groups to improve their performances while unifying them as a community.

The film cuts between the three countries, leading to a major climatic scene that will take your breath away and keep you on the edge of your seat. All it takes is one shaky foot and the human tower falls, sending hundreds of bodies tumbling in the rain or into the mud or onto the crumbling pavement of a forgotten neighborhood. A passion beyond race, borders, and ages. A global story of fearless skills heart-pounding suspense and also of human connection.

Why Make Human Towers? Human towers are medicine for the soul. You risk your life for a moment of sublime camaraderie and community. Trust is paramount. All it takes is one shaky foot and the entire tower falls, sending you and hundreds of others tumbling into the air, onto each other and then onto the pavement. Building human towers is more than a quirky attraction, more than an international sport and more than a refuge for lost youth. It’s more even than a thirst for the glory of winning. A human tower, when done right, represents an unparalleled passion for human connection that goes beyond race, borders and ages. In this sense, the world’s best human tower builders represent all of us — all people, all communities, all nations — in our hope for a better future.

This powerful documentary tackles the hot-button issue of the devastating effects of head injuries in sports. With the lens focused on hockey, women’s soccer and, most disturbingly, teenage football leagues, “Head Games” makes the powerful argument that repeated blows to the head, once considered something to simply shrug off, can have fateful, long-term consequences. Academy Award-nominated director Steve James (“Hoop Dreams”) delivers compelling evidence in interviews with numerous scientists and doctors as well as athletes.

REVIEWS:

“Part of the romance of sports lies in the thrill of controlled, heroic brutality. Modern athletes are often likened to warriors: they sacrifice, put their bodies on the line and take punishment in pursuit of a noble cause. The rest of us — couch potatoes, season-ticket holders, parents on the sidelines — cheer for the toughest players and the hardest hits. Steve James’s troubling new documentary, Head Games, reckons some of the terrible costs of modern American sports culture.…Head Games is alternately sobering and terrifying. It is painful to watch a grown man struggle to recite the months of the year, and to hear about the shockingly high number of suicides among N.F.L. veterans with C.T.E. It is also chilling to watch youngsters heading out onto the field or the ice accompanied by the usual exhortations from parents and coaches to play hard.

Mr. James, whose Hoop Dreams may be the best sports documentary ever made, is motivated by a fan’s devotion as well as a journalist’s skepticism. Head Games gains credibility and power from compassion for athletes and respect for their accomplishments. But it also tries to open the eyes of sports lovers to dangers that have too often been minimized and too seldom fully understood.” – A.O. Scott, The NEW YORK TIMES (9/12)

A charming and intriguing kids’ film from India, “Gattu” is about an orphan being raised by a strict uncle constantly frustrated by his nephew’s inability to focus on work. Gattu is obsessed instead with kite-flying, and in particular with defeating the mysterious Kali, a black kite that rules the skies. To do this, Gattu is prepared to steal, lie, and even go to school! The only problem—he is illiterate. Nonetheless, our hero takes up the challenge, proving anything might be possible when the will is strong enough. Nominated for Best Children’s Feature Film at the 2012 Asia Pacific Screen Awards.

This fascinating documentary charts the adventure of Laura Dekker, a 14-year-old Dutch sailor, who set out alone on a two-year voyage to fulfill her dream of becoming the youngest person ever to sail around the world. The journey was not without controversy, but “Maidentrip” is pleasantly free from the hysteria that surrounded Laura for more than a year. It presents her trip in a judgment-free manner. It neither suggests (as it understandably could) that 14 is an alarmingly young age to traverse the mightily unforgiving Pacific and Atlantic Oceans, nor takes a blindly positive “Ra! Ra! Go Laura!” position (as would be tempting, given that Laura proves herself an admirable rebel in many ways).

Laura is portrayed as an independent outsider, at once open-hearted, enviably confident and a bit prickly, sick of what she sees as daily life in Holland—which she sums up succinctly: “Get money, get a house, get a husband, get a baby, then die.” She pines for a truly outsized adventure. While other young record-holding sailors completed the round-world trip without lengthy stops at ports, Laura gives herself two years for the excursion, so that she can soak in the land-bound culture of the different climes where she alights (among them French Polynesia, Australia, the Galapagos Islands and South Africa). Low-key yet lyrical, “Maidentrip” illustrates in vivid colors the mundane as well as the magnificent moments at sea and underscores the courage of one young woman, battling the elements—and the courts—and enjoying every minute of it.

Misfit German teenager Mika is sent to live in the country with her stern grandmother, who happens to have been an Olympic equestrian. One of her grandmother’s horses, Windstorm, is just as unhappy with the world around him as Mika is with hers. Together, they find a sense of happiness that gets them through several über-dramatic ordeals. It will be difficult not to get drawn into this tale that is part “Horse Whisperer” and part “Karate Kid,” with a pinch of “National Velvet.”

One of the most famous shots in silent comedy: a man in a straw hat and horn-rimmed glasses, hanging from the minute hand of a clock 12 stories above the street – and yet not many people have seen “Safety Last!” The comic genius of silent star Harold Lloyd is eternal. Chaplin is the innocent Tramp, Keaton the stoic outsider, but Lloyd—the modern guy striving for success—is us. With its torrent of perfectly executed gags and astonishing stunts, “Safety Last!” is the perfect introduction to this luminary of the silent era.

Fearing the possibility of being split up because of their grandmother’s illness, a young brother and sister embark on an unforgettable journey through breathtaking landscapes of rural Scotland. SIDE BY SIDE is a rare and genuinely heartfelt story about two very different siblings growing closer because they must depend on one another during an unsettling time.

Lauren and her younger brother, Harvey, live with their elderly grandmother who needs constant care. When the old woman is sent to a nursing home, Lauren accepts a scholarship to a prestigious sports academy believing that she and Harvey will stay together and live with Janice, Lauren’s calculating and deceitful sports agent. It soon becomes clear, however, that Janice’s real intention is to split the pair up to better exploit Lauren’s athletic talent. When Harvey runs away to fulfill the promise he made to Grandma to find their long-lost grandfather, Lauren follows after him. En route, brother and sister discover that, despite all their differences, when they are side by side they are strong enough to deal with anything, even their biggest fears. As we follow their journey across the beautiful British countryside, we slowly come to realize that it is the journey, not the destination that really matters.

Part road movie, part Bildungsroman, part family drama and part children’s escapade, Arthur Landon’s endearing feature-film debut explores the solid bond between a sister and brother, and celebrates the importance of coming together.

This documentary follows three girls and their lives at the martial arts school Shaolin Tagou, China’s largest Kung Fu School. Far from their families, they fight an everyday battle of discipline, rules and hard physical training. Kung Fu provides them a chance to provide for their parents in the future and lead a better life—but at what cost?

The Shaolin Tagu Kung Fu School, located next to the Shaolin Temple Monastery—the birthplace of Kung Fu—is home to some 26,000 students. In a breathtaking display of skill and precision, the entire student body practices their discipline en masse and in perfect unison, captured beautifully by Inigo Westmeier’s camera. DRAGON GIRLS follows three young female students living far from their homes and families. They sacrifice the luxuries of childhood, like days off, playtime and seeing their parents, for the honor and success they will gain from their training. The physical and mental exhaustion and constant drive for perfection weigh heavily on the young warriors in training, yet it’s hoped that by graduation the gain will have been worth the struggle.