This compilation of four films has multiple, thought-provoking topics to think about, and hopefully after, talk about. They include the struggles of young, Afghani women being musicians in a time when it looks like the Taliban will be coming back to power. Other films from the Netherlands and Argentina follow families who are dealing with children on gender journeys unfamiliar to them. The last film, 2nd Class, is quite relevant to what is happening here in our own country when it comes to reacting to white supremacists. The reel includes the following films…

SOMETHING ABOUT ALEX – A young teenager develops a close friendship with his older sister’s boyfriend, and must confront the depth of his feelings when the couple announces that they will be moving away. (2017 / 18 mins / Netherlands / dir Reinout Hellenthal / live-action / Dutch w/English subtitles)

ORCHESTRA FROM THE LAND OF SILENCE – You’ll defeat the beast with the power of music. Zohra – the first female orchestra of Afghanistan. Girls are preparing for their journey to play a concert in Europe. We see their everyday reality in contemporary Afghanistan through the eyes of 16-year-old girl Marzia. After arriving in Europe unexpected thing happens and four members of the orchestra decide to run away… (2020 / 30 mins / Afghanistan, Slovakia / dir Lucia Kasova / documentary / English, Persian and Slovak w/English subtitles)

THE NAME OF THE SON (El Nombre del Hijo) Lucho, a 13-year-old trans boy, doesn’t usually share much time with his father. When he goes on vacation with him and his younger sister, the new closeness puts their relationship to the test. (2020 / 13 mins / Argentina / dir Martina Matzkin / live-action / Spanish w/English subtitles)

2ND CLASS (2ND CLASS – 2021 Special Jury Award Best Short Live-Action Film!) This is a story about an elementary school teacher who is violently attacked one night by a neo-Nazi. After healing enough to return to the classroom she finds out that the man who attacked her is one of her student’s fathers. What does she do? And why? This film demands a conversation after viewing. WARNING: Graphic scene with profanity. Recommended age 13+ (2018 / 13 mins / Sweden / dir Martina Matzkin / live-action / Swedish w/English subtitles)

 

2016 Festival Flashback!! Five years ago we invited this thought-provoking documentary to our festival. With the situation in the Middle East still far from resolution, this film speaks volumes about the hurdles people face to live in peace.

ALMOST FRIENDS is a documentary about two Israeli girls—an Arab and a Jew—who live only 40 miles away but in many ways live worlds apart. Participating in an online program that fosters educational exchange and friendship, the two girls correspond with caution and eventually meet face-to-face. The experience is profoundly moving for them, their families, and the audiences who see this touching film. But when conflict spans generations, change is slow and “almost” anything might be a start…

 

This documentary offers an extraordinary and tender examination of family life in ways that feel both personal and universal. When their mother is imprisoned, Ale and his sister Rocio’s relationship is faced with the greatest challenge possible: they must work together to parent their two young siblings.They promise to help each other and keep their family together until their mother is released, but as undocumented Honduran immigrants, living, working and studying in Mexico is difficult. Soon the prison wall that keeps their mother away gives rise to other emotional barriers that prevent the brother and sister from understanding each other. Just as they start to lose hope the family’s life takes an unexpected twist.

Important note from the director:

In 2014 I worked for a non-profit organization which helps convicted women, overseeing their cases and helping their re-introduction to society. I met Rocío and Alejandro’s mother on one of my visits to prison, and I was immediately struck by her energy and clear-headedness in such a terrible environment. The other inmates had a great respect for her.

The moment I pointed my camera at them and conducted my first interview I felt drawn to them, and I was particularly intrigued by the way they were handling the situation. The whole thing seemed to me like an extremely difficult predicament, but here I saw two courageous individuals with a great sense of humor who were willing to keep fighting. And I deeply admired them.

I later found out more about their story. Their life had been full of ups and downs from an early age, but the family had stayed together and remained strong through all of it. That history had turned them into very unique individuals; they were a great, tight-knit family and their ties were deep and complex.

What happens when a diverse group of LGBTQ youth dares to be “out” on stage to reveal their lives and their loves? THE YEAR WE THOUGHT ABOUT LOVE goes behind the scenes of one of the oldest queer youth theaters in America, with a camera crew slipping into classrooms, kitchens, subways and rehearsal rooms. Boston-based True Colors OUT Youth Theater transforms daily struggles into performance for social change. With wit, candor and attitude, this cast of characters captivates audiences who may be surprised to hear such stories in school settings. THE YEAR WE THOUGHT ABOUT LOVE introduces a transgender teenager kicked out of her house, a devout Christian challenging his church’s homophobia and a girl who prefers to wear boys’ clothing even as she models dresses on the runway. When real bombs explode outside their building, the troupe becomes even more determined to share their stories of love to help heal their city. Brave, encouraging, and funny…these are the inspiring LGBTQ youth leading us into the future.

Demolishing stereotypes without wrecking their cars, the Speed Sisters are the Middle East’s first all-female car racing team. With high-octane talent and the marketing savvy to draw attention to their camera-friendly lineup, this diverse, engaging, real-life group competes throughout the West Bank in Palestine’s makeshift motor sports circuit. They navigate Israeli checkpoints and restrictive societal expectations to evolve into potential role models for a new generation of young Arab women.

 

Cathy’s tenth birthday is tough enough without her eccentric father giving her an egg as a gift along with a warning: “Be there when it is born so the bird recognizes YOU as its mother.”  After a game of hide-and-seek goes awry, Cathy’s friend Margaux unknowingly becomes the “mother.” Unfortunately for the bird and Margaux, her parents believe Margaux is unable to care for this pet from her wheelchair. It takes a duckling, a great friend and a temporary flight from home to alter everyone’s impressions of life’s limitations.

 

Aylin, age 17, finds herself caught between worlds: A world of accepting her mother’s death or not. A world of struggling to survive as a Turkish family in Germany or returning home. Most importantly, a world of facing her fears at school to succeed or to remain in violent isolation. She finds answers in the story of Hördur (the horse): an Icelandic pony is never allowed to return once it leaves its homeland. By developing the courage to challenge her status in the world, Aylin develops a bridge to self-discovery, and like Hördur, never looks back.

This futuristic film, with BLADE RUNNER-esque grit, depicts a world where robots are as prolific as cell phones are today. Since his mother passed away, Tibor, age 11, has relied more strongly than ever on his lifelong friend T.I.M. (The Incredible Machine). T.I.M. is in need of a major overhaul, and so Tibor’s father trades T.I.M. in for an upgrade. But how do you upgrade a “friend”? A peril-filled quest, Tibor’s search for T.I.M. puts his friendship to the ultimate test.

ALMOST FRIENDS is a documentary about two Israeli girls—an Arab and a Jew—who live only 40 miles away but in many ways live worlds apart. Participating in an online program that fosters educational exchange and friendship, the two girls correspond with caution and eventually meet face-to-face. The experience is profoundly moving for them, their families, and the audiences who see this touching film. But when conflict spans generations, change is slow and “almost” anything might be a start…

 

Tenth-grade filmmaker Bailey Webber is on a mission that starts when her school district, in a misguided attempt to address childhood obesity, forces its schools to perform Body Mass Index (BMI) tests on selected students. After a sixth grader voices her protest against the “fat letters,” Webber recognizes the injustice of telling children they are fat if they don’t fall within a narrowly accepted range. Her keen inquiry includes a relentless chase after the bureaucrat who sponsored the law. Whether staging a vigil at the state house or interviewing health experts, Bailey never loses her cool, pursuing with poise and charm. Her dogged pursuit is always done with poise and immense charm. THE STUDENT BODY is a sophisticated, smart, steadfast, sensitive and often humorous chronicle of two brave girls who expose the hypocrisy of grownups who think they are safeguarding youth.