The fifth-grade chorus of PS22 on Staten Island, N.Y., became a YouTube sensation when their teacher started posting videos of them singing. Their rousing renditions of pop songs soon earned them a national legion of fans, as well as the attention of Academy Awards producers. This joyous documentary follows the talented and diverse group of kids and their energetic instructor, as together they tackle creative differences, lost voices, and homesickness on their way to appearing in the finale of the 2011 Academy Awards ceremony. The transformative power of music shines throughout.
The 12-year-old son of the world’s greatest detective embarks on a rollicking adventure to solve the mystery of his long-lost mother’s true identity in this family-friendly, action-packed film. Growing up without knowledge of his mother’s mysterious fate leads Nono, on the eve of his bar mitzvah, on the most significant investigation of his life. “The Zigzag Kid” uses wit and humor to explore the sometimes complicated relationships between right and wrong, and how these inform love and loyalty—in a modern, beautifully filmed tale that speaks frankly to both adults and tweens. Plus, a family film that features Isabella Rosselini!
Ten-year-old Wadjda challenges deep-rooted Saudi traditions in a determined quest to buy a bicycle. When everything goes against her plans, she sees one last chance in her school’s Koran recitation competition and the large cash prize for first place. The first film ever shot entirely in Saudi Arabia, “Wadjda” is the story of a girl determined to fight for her dreams.
REVIEWS:
“A sharply observed, deceptively gentle film, reportedly the first feature ever directed by a Saudi woman. The movie presents the facts of its heroine’s life with calm authority and devastating effectiveness. With impressive agility, WADJDA finds room to maneuver between harsh realism and a more hopeful kind of storytelling. There is warmth as well as austerity in Wadjda’s world, kindness as well as cruelty, and the possibility, modestly sketched and ardently desired, of change. Buoyant.” -AO Scott, THE NEW YORK TIMES
“The film marks a huge triumph for its female director…a remarkable film twice over.” -Kenneth Turan, THE LOS ANGELES TIMES
“It’s always fascinating to discover what can make us happy, both as moviegoers and citizens of the world. WADJDA does the trick…funny and touching in equal measure.” -Joe Morgenstern, THE WALL STREET JOURNAL
Played at 2014 PCFF to celebrate the 25th anniversary of one of Japan’s masterpieces of animation.
One of the most endearing and internationally renowned films of all time, a film that Roger Ebert called “one of the five best movies” ever made for children, “My Neighbor Totoro” is a deceptively simple tale of Satsuki and Mei, two young girls who move with their father to the countryside while their mother convalesces in a nearby hospital. They soon discover that the surrounding forests are home to a family of Totoros, gentle but powerful creatures who live in a huge and ancient camphor tree and are seen only by children. Based on Miyazaki’s own childhood imaginings, Totoros look like oversized pandas with bunny ears, the largest of which takes the girls on spinning-top rides through the tree tops, introduces them to a furry, multi-pawed Catbus—a nod to Lewis Carroll’s Cheshire Cat—and ultimately brings the two much closer together as sisters.
Beneath the film’s playfulness and narrative simplicity lie depths of wisdom. As with much of Miyazaki’s work, at its core “My Neighbor Totoro” is about humankind’s relationship to the Earth. The film is infused with an almost spiritual reverence for the power of nature (a philosophy tied to the ancient Shinto belief that every object in nature has a soul). Everything that surrounds us, from light-dappled tree groves, to the marvelous clouds, echoes the density and lusciousness of life. Protected by the Totoros, we know no harm will come to our two heroines in the forest’s sunlit glades and mysterious shadows. The girls may be awed by the power and majesty around them, but they understand instinctively that nature has no malice. The viewer is left with a sense of wonder at the beauty, mystery and preciousness of the world all around us.
Fearing the possibility of being split up because of their grandmother’s illness, a young brother and sister embark on an unforgettable journey through breathtaking landscapes of rural Scotland. SIDE BY SIDE is a rare and genuinely heartfelt story about two very different siblings growing closer because they must depend on one another during an unsettling time.
Lauren and her younger brother, Harvey, live with their elderly grandmother who needs constant care. When the old woman is sent to a nursing home, Lauren accepts a scholarship to a prestigious sports academy believing that she and Harvey will stay together and live with Janice, Lauren’s calculating and deceitful sports agent. It soon becomes clear, however, that Janice’s real intention is to split the pair up to better exploit Lauren’s athletic talent. When Harvey runs away to fulfill the promise he made to Grandma to find their long-lost grandfather, Lauren follows after him. En route, brother and sister discover that, despite all their differences, when they are side by side they are strong enough to deal with anything, even their biggest fears. As we follow their journey across the beautiful British countryside, we slowly come to realize that it is the journey, not the destination that really matters.
Part road movie, part Bildungsroman, part family drama and part children’s escapade, Arthur Landon’s endearing feature-film debut explores the solid bond between a sister and brother, and celebrates the importance of coming together.
** USA PREMIERE**
While attending a super-cool summer camp where campers compete to build the highest multi-story, self-standing structure possible using scrap wood, a best friendship between two adolescent boys is greatly tested. A series of misunderstandings and hurtful slights, some intentional and some not, creates a building tension that grips the viewer’s attention—and empathy—to the end. Director Marien Rogaar has constructed a film with an amazingly caring hand. Don’t miss this USA PREMIERE!
This documentary follows three girls and their lives at the martial arts school Shaolin Tagou, China’s largest Kung Fu School. Far from their families, they fight an everyday battle of discipline, rules and hard physical training. Kung Fu provides them a chance to provide for their parents in the future and lead a better life—but at what cost?
The Shaolin Tagu Kung Fu School, located next to the Shaolin Temple Monastery—the birthplace of Kung Fu—is home to some 26,000 students. In a breathtaking display of skill and precision, the entire student body practices their discipline en masse and in perfect unison, captured beautifully by Inigo Westmeier’s camera. DRAGON GIRLS follows three young female students living far from their homes and families. They sacrifice the luxuries of childhood, like days off, playtime and seeing their parents, for the honor and success they will gain from their training. The physical and mental exhaustion and constant drive for perfection weigh heavily on the young warriors in training, yet it’s hoped that by graduation the gain will have been worth the struggle.
Sometimes not standing out can be a good thing—at least this is what nine-year-old Ulises and his two best friends have come to believe in their elementary school. The bullies don’t bother you, the teachers won’t call on you and classmates don’t realize you’re missing when you want to be. It’s smooth sailing until Ulises wakes up one morning with an enormous mustache. Going from anonymity to celebrity will test good friendships and lead to a hairy adventure.