This documentary offers an extraordinary and tender examination of family life in ways that feel both personal and universal. When their mother is imprisoned, Ale and his sister Rocio’s relationship is faced with the greatest challenge possible: they must work together to parent their two young siblings.They promise to help each other and keep their family together until their mother is released, but as undocumented Honduran immigrants, living, working and studying in Mexico is difficult. Soon the prison wall that keeps their mother away gives rise to other emotional barriers that prevent the brother and sister from understanding each other. Just as they start to lose hope the family’s life takes an unexpected twist.
Important note from the director:
In 2014 I worked for a non-profit organization which helps convicted women, overseeing their cases and helping their re-introduction to society. I met Rocío and Alejandro’s mother on one of my visits to prison, and I was immediately struck by her energy and clear-headedness in such a terrible environment. The other inmates had a great respect for her.
The moment I pointed my camera at them and conducted my first interview I felt drawn to them, and I was particularly intrigued by the way they were handling the situation. The whole thing seemed to me like an extremely difficult predicament, but here I saw two courageous individuals with a great sense of humor who were willing to keep fighting. And I deeply admired them.
I later found out more about their story. Their life had been full of ups and downs from an early age, but the family had stayed together and remained strong through all of it. That history had turned them into very unique individuals; they were a great, tight-knit family and their ties were deep and complex.
Cathy’s tenth birthday is tough enough without her eccentric father giving her an egg as a gift along with a warning: “Be there when it is born so the bird recognizes YOU as its mother.” After a game of hide-and-seek goes awry, Cathy’s friend Margaux unknowingly becomes the “mother.” Unfortunately for the bird and Margaux, her parents believe Margaux is unable to care for this pet from her wheelchair. It takes a duckling, a great friend and a temporary flight from home to alter everyone’s impressions of life’s limitations.
Two orphaned siblings (ten-year-old Pari and her brother, eight-year-old Chotu) leave an abusive aunt in search for medical help to bring back Chotu’s eyesight. In a mystical tale they encounter the best and the worst of Indian society on their search for a Bollywood star who offers financial assistance. During their quest you can feel the heat, smell the curries, enjoy the colors and music from the other side of the world.
Winner BEST FILM Generation KPlus Berlin Crystal Bear 2015
This futuristic film, with BLADE RUNNER-esque grit, depicts a world where robots are as prolific as cell phones are today. Since his mother passed away, Tibor, age 11, has relied more strongly than ever on his lifelong friend T.I.M. (The Incredible Machine). T.I.M. is in need of a major overhaul, and so Tibor’s father trades T.I.M. in for an upgrade. But how do you upgrade a “friend”? A peril-filled quest, Tibor’s search for T.I.M. puts his friendship to the ultimate test.
ALMOST FRIENDS is a documentary about two Israeli girls—an Arab and a Jew—who live only 40 miles away but in many ways live worlds apart. Participating in an online program that fosters educational exchange and friendship, the two girls correspond with caution and eventually meet face-to-face. The experience is profoundly moving for them, their families, and the audiences who see this touching film. But when conflict spans generations, change is slow and “almost” anything might be a start…
Filmed against the sweeping landscapes of the remote Mongolian mountains on the Kazakhstan border, this story of self-discovery introduces us to Bazarbai, a 12-year-old nomadic boy who dreams of joining his brother in the city of Ulan Bator to make his fortune. His father, however, has other plans: to teach his son the trade of eagle hunting, a generations-long family tradition. Bazarbai does indeed travel to the city, carrying his father’s aging eagle with him. When the bird is taken from him, the boy realizes his strong bond not only with the bird, but also to his family. A metaphor for his own life’s path, Bazarbai’s journey leads him through dangers and temptations to finally accept responsibilities he must claim as his own. The cinematography plays a crucial role, as we are dazzled and moved by spectacular scenes of soaring eagles in their native habitat.
It is safe to say you have not seen a film like this before. “EEP!” is based on a book with a familiar premise: An unexpected central character appears whose mere presence inspires the people she meets to reflect on their own lives to find more happiness. The ethereal and acclaimed actress Kenadie Joudin-Bromley takes this movie to another place. By using what some could see as a physical obstacle –primordial dwarfism – this Canadian eight-year-old creates a character you will remember lovingly.
In this imaginative and beautifully shot film, a bird watcher finds a little living creature in the grass under a tree and no adult bird around to claim her. He brings her to his wife, who insists this will be their child to raise. They name her Beedie and we follow her quick growth into bird/human maturity. When Beedie follows her instinct to flock with other birds, the attempts to bring her back bring many people together in wonderful, often comic, ways.
There are no special effects used for this tiny bird child — except her feathered arms. Beedie, played by Kenadie Jourdin-Bromley, has primordial dwarfism, suffered by less than 100 people in the world. Born at 2 1/2 lbs and not expected to live more than a few days, she has defied the odds.
Sometimes a carefully placed kiss on the cheek can stay with you longer than a clumsy vampire’s bite to the neck. This first feature starring Zoe Kazan (“It’s Complicated,” “Revolutionary Road”) is on one level a very simple story: a look at the quiet emotional crises of a 20-year-old college student on spring break. But it has been crafted with such a skilled, subtle hand that it holds our interest without noticing how it’s done.
“The Exploding Girl” confronts the mysteries of everyday life by focusing not on life’s dramatic moments but on the low-key spaces in between. With all of the awkwardness that never makes it into a Hollywood film, this is a great film for teens coming of age to see with Mom or Dad.
Reviews:
“This quietly poetic little gem contains many beautiful things, not least of which is leading lady Zoe Kazan, who lets every scene billow and swirl around her effortlessly.” Joe Neumaier – New York Daily News
“The Exploding Girl” is a lovely, languorous film that does much with little and leaves you feeling like you’ve witnessed some minor miracle. Kazan’s done some good work in supporting roles, but this should put her on the map as the real deal.” Laura Clifford – Reeling Reviews
“No matter what we do, is it really going to make a difference?” This corrosive statement becomes the core of “ReGENERATION,” a documentary that succeeds as a lightning rod for social change through thought and action. Strongly calling out the apathy of the current generation of youth and young adults, the film, narrated by Ryan Gosling, presents a cross-section of perspectives from a society fed more through corporate media than by truth. Unique commentary on the problems facing our society are explored through an inspired collective of musicians (STS9), a 20-something conservative family and a group of five suburban high school students looking for their place in the world. As the powerful evidence of our reliance on technology, disconnection with nature, excessive consumption and loss of history add up, leading scholars from around the world (including Howard Zinn, Noam Chomsky), journalists (Amy Goodman) and media personalities, Mos Def and Talib Kweli) stimulate the discussion with their wisdom and personal reflections. As engaging as it is insightful, ReGENERATION stands to be heard and energizes audiences to join its march to a world of passionate action.
“A Shine of Rainbows” resembles a live-action Disney film from the 1950s, with its boundless enthusiasm for gentle adventuring, warm domestic bonding and tragic turns of fate. It serves as a nice change from films focused on the ills of modern youth or weighed down by bathroom humor. Tomas is a shy eight-year-old who’s been adopted and taken to a remote island in Ireland. He and his ornery father (Aidan Quinn) develop an emotional bond after experiencing a tragedy together.
Reviews:
“Hey, what’s not to like about cute orphans, baby seals, sweet moms and gruff dads with hearts of gold? And rainbows? If your heart is going thumpety-thump at such a prospect, here is the movie for you. No, I’m serious. And kids may really love it.” – Roger Ebert