This fascinating documentary charts the adventure of Laura Dekker, a 14-year-old Dutch sailor, who set out alone on a two-year voyage to fulfill her dream of becoming the youngest person ever to sail around the world. The journey was not without controversy, but “Maidentrip” is pleasantly free from the hysteria that surrounded Laura for more than a year. It presents her trip in a judgment-free manner. It neither suggests (as it understandably could) that 14 is an alarmingly young age to traverse the mightily unforgiving Pacific and Atlantic Oceans, nor takes a blindly positive “Ra! Ra! Go Laura!” position (as would be tempting, given that Laura proves herself an admirable rebel in many ways).
Laura is portrayed as an independent outsider, at once open-hearted, enviably confident and a bit prickly, sick of what she sees as daily life in Holland—which she sums up succinctly: “Get money, get a house, get a husband, get a baby, then die.” She pines for a truly outsized adventure. While other young record-holding sailors completed the round-world trip without lengthy stops at ports, Laura gives herself two years for the excursion, so that she can soak in the land-bound culture of the different climes where she alights (among them French Polynesia, Australia, the Galapagos Islands and South Africa). Low-key yet lyrical, “Maidentrip” illustrates in vivid colors the mundane as well as the magnificent moments at sea and underscores the courage of one young woman, battling the elements—and the courts—and enjoying every minute of it.
Fans of Hayao Miyazaki and Studio Ghibli, it’s time to expand your horizons! This beautiful, modern-day fairy tale is the latest animated feature from Mamoru Hosoda (“Summer Wars,” screened at PCFF 2011; “The Girl Who Leapt Through Time”). “Wolf Children” is an exquisite fantasy about a single mom, Hana, who had the misfortune of falling in love with a wolf man. He was kind and considerate, but given to roaming the streets at night on four legs—which is how he comes to a tragic end. Alone, Hana learns to care for kids who have the plucky charm of young humans, but the unpredictability and appetite of growing puppies. With its gorgeous animation and sensitive, multifaceted direction, this is a funny, exhilarating and touching film about nature, nurture, and the call of the wild. It’s ideal family viewing—and equally suited to wolf packs.
Ten-year-old Wadjda challenges deep-rooted Saudi traditions in a determined quest to buy a bicycle. When everything goes against her plans, she sees one last chance in her school’s Koran recitation competition and the large cash prize for first place. The first film ever shot entirely in Saudi Arabia, “Wadjda” is the story of a girl determined to fight for her dreams.
REVIEWS:
“A sharply observed, deceptively gentle film, reportedly the first feature ever directed by a Saudi woman. The movie presents the facts of its heroine’s life with calm authority and devastating effectiveness. With impressive agility, WADJDA finds room to maneuver between harsh realism and a more hopeful kind of storytelling. There is warmth as well as austerity in Wadjda’s world, kindness as well as cruelty, and the possibility, modestly sketched and ardently desired, of change. Buoyant.” -AO Scott, THE NEW YORK TIMES
“The film marks a huge triumph for its female director…a remarkable film twice over.” -Kenneth Turan, THE LOS ANGELES TIMES
“It’s always fascinating to discover what can make us happy, both as moviegoers and citizens of the world. WADJDA does the trick…funny and touching in equal measure.” -Joe Morgenstern, THE WALL STREET JOURNAL
Played at 2014 PCFF to celebrate the 25th anniversary of one of Japan’s masterpieces of animation.
One of the most endearing and internationally renowned films of all time, a film that Roger Ebert called “one of the five best movies” ever made for children, “My Neighbor Totoro” is a deceptively simple tale of Satsuki and Mei, two young girls who move with their father to the countryside while their mother convalesces in a nearby hospital. They soon discover that the surrounding forests are home to a family of Totoros, gentle but powerful creatures who live in a huge and ancient camphor tree and are seen only by children. Based on Miyazaki’s own childhood imaginings, Totoros look like oversized pandas with bunny ears, the largest of which takes the girls on spinning-top rides through the tree tops, introduces them to a furry, multi-pawed Catbus—a nod to Lewis Carroll’s Cheshire Cat—and ultimately brings the two much closer together as sisters.
Beneath the film’s playfulness and narrative simplicity lie depths of wisdom. As with much of Miyazaki’s work, at its core “My Neighbor Totoro” is about humankind’s relationship to the Earth. The film is infused with an almost spiritual reverence for the power of nature (a philosophy tied to the ancient Shinto belief that every object in nature has a soul). Everything that surrounds us, from light-dappled tree groves, to the marvelous clouds, echoes the density and lusciousness of life. Protected by the Totoros, we know no harm will come to our two heroines in the forest’s sunlit glades and mysterious shadows. The girls may be awed by the power and majesty around them, but they understand instinctively that nature has no malice. The viewer is left with a sense of wonder at the beauty, mystery and preciousness of the world all around us.
Eskil is an unhappy, self-reliant eleven-year-old boy who is constantly on the move due to his father’s job. Trinidad is the town’s cranky, eccentric woman he is warned to stay away from—but doesn’t. In the time spent with Trinidad building her boat, Eskil discovers a self-awareness that helps restore his relationship with his separated parents. Trinidad gains a supporting friend who helps her achieve a lifetime goal. Children’s films this beautiful and genuine are rare.
Maya is a little bee with a big heart. For a hive to exist there are rules that must be followed. Let’s just say, Maya’s curiosity does not help her remember the rules. She can’t help but make friends with other bugs in the meadow including the most threatening bugs of all – HORNETS! When the royal jelly goes missing, Maya’s “flaws” help save the hive. Part musical, part comedy, part suspense film, MAYA THE BEE has it all!