Tenth-grade filmmaker Bailey Webber is on a mission that starts when her school district, in a misguided attempt to address childhood obesity, forces its schools to perform Body Mass Index (BMI) tests on selected students. After a sixth grader voices her protest against the “fat letters,” Webber recognizes the injustice of telling children they are fat if they don’t fall within a narrowly accepted range. Her keen inquiry includes a relentless chase after the bureaucrat who sponsored the law. Whether staging a vigil at the state house or interviewing health experts, Bailey never loses her cool, pursuing with poise and charm. Her dogged pursuit is always done with poise and immense charm. THE STUDENT BODY is a sophisticated, smart, steadfast, sensitive and often humorous chronicle of two brave girls who expose the hypocrisy of grownups who think they are safeguarding youth.

 

Director David Fine’s documentary takes something many American youths are familiar with (basketball), and moves us on a true-life journey to a land many of us are unfamiliar with (Iraq). The result is extraordinary. “Salaam Dunk” is an insightful look into young Iraqi life as experienced by a current women’s college basketball team. The players are a fascinating and genuinely inspiring bunch, and the squad’s mere existence provides a stirring example of the possibilities for young Iraqis outside the country’s war zones. What they overcome on the court, you have seen in other movies; what they must overcome in their Iraqi society, you have not.

Divercine International Children’s Festival 2007 Children’s Jury Award; Ene and Tõnis Kask Foundation of the Estonian National Culture Foundation 2006, Best Film; Latvian Film Festival 2007, Best Feature Length Animation;\Mill Valley Children’s Film Fest 2008, Audience Award; TINDIRINDIS International Animated Film Festival 2007, Best Feature-Length Animation

This feature-length animated film from Estonia is a gentle, spirited film full of wacky contraptions, silly/happy songs, and a warm and refreshingly un-cynical sense of humor. Lotte is a cheerful girl dog who lives in Gadgetville, a village crazy about inventing Rube Goldberg-esque machines. The town is abuzz about the Japanese bee Susumu, who introduces Gadgetville to the concept of judo. After the town becomes obsessed with the sport, Lotte and her three friends try to help Susumu get back to Japan to test their new skills in an international judo contest.

Abila, 14, lives in the violent slum jungle of Kibera, in Nairobi, Kenya. He is a Luo – one of the many Kenyan tribes. He is smitten with Shiku, who is the same age, but she is a Kikuyu, and that is the problem. Boys and girls from different tribes are not encouraged to mix. But Abila has another problem. At the start of the film, he finds his father in a disturbing state. His mother says it’s a hangover, but Abila has a feeling there’s more going on. He finds out that his father’s soul has been stolen by a Nyawawa, a female spirit. Despite the hostility of the surroundings, Abila and Shiku set off together to save the soul of Abila’s father.

You could say that the location is the real protagonist of this film. Shot in 13 days, this film was made in Kibera, where more than one million people live and battle for survival. Its residents acted the film’s parts.

This film emerged from a workshop and benefited from production support by the famous German director Tom Tykwer. Above all, the camera work is of a level that is seldom seen in African pictures. The authentic background in combination with the outside support turned “Soul Boy” into a sparkling – and surprisingly professional-looking — short film.

What if you found something that made you wonder if you really know your dad? In tracing Kattaka’s quest to answer this question, “Wintertochter” unfolds into a road movie (from Berlin deep into Poland) about friendship between different generations and nations and the courage to face life’s difficulties. Through her inspiring trip, she comes to realize that history can shape identity, family isn’t always biological and the choices we make now can affect our future for the better.

Sixteen-year-old Chandani has a burning desire: She wants to follow in her father’s footsteps and become a mahout, a traditional elephant caretaker in Sri Lanka. This is customarily a job only for men; all the other mahouts around her doubt her abilities and oppose her plans. This is a small story with much large implications: If Chandani succeeds, she will be the first female mahout ever. Some of the most powerful scenes are the ones when nothing is spoken.

In a contemporary small town around a closed-down factory, bored ‘tween friends, some from broken homes, are looking for creative ways to spend their time. They build forts, issue dares and tease one another. The Crocodiles is the name of this gang of 11-year-olds and a newcomer (who uses a wheelchair) wants in.

Part Hardy Boys, part “Stand By Me,” part “The Outsiders,” this fast-paced film combines classic elements with a larger message of breaking down stereotypes. Please be warned that the dialogue is stronger than an American audience may be used to. There is a domestic abuse scene. Slurs and stereotypes are expressed. However, this difficult dialogue is not used for shock value. It is part of the larger and more important narrative of kids learning how hurtful their exclusionary actions and hateful words can be, then making amends.

This suspenseful story carries a strong warning about the Internet as it is evolving today. When one computer-savvy teenager unwittingly cracks a security code to an international site that most people use every day…havoc ensues. With ingredients of uncommon-nerd heroes, Takeshi Murakami-designed internet avatars and of course, teenage crushes: This film will keep you glued to your seat, laptop, Smartphone …

Kenji, a teenage math prodigy, is recruited by his secret crush for the ultimate summer job – passing himself off as her boyfriend for four days during her grandmother’s 90th birthday celebration. But when Kenji solves a 2,056-digit math riddle sent to his cell phone, he unwittingly breaches the security barricade protecting OZ: a globe-spanning virtual world where millions of people and governments interact through their avatars, handling everything from online shopping and traffic control to national defense and nuclear launch codes. Now a malicious AI program called the Love Machine is hijacking Oz accounts, growing exponentially more powerful and sowing chaos and destruction in its wake.

This intriguingly intelligent cyberpunk/sci-fi story is a visual tour-de-force, especially the amazing world of OZ: a hallucinatory pixel parade of cool avatar designs, kung fu jackrabbits, toothy bears and a bursting rainbow of colors.

REVIEWS:

“A stunning mixture of hand-drawn and CGI visuals in an endlessly colorful world filled with grotesque, razor-sharp toothed avatars. Its thematic ambition and dazzling visual style ultimately make it one of the more rewarding anime efforts to reach these shores!” – Hollywood Reporter

“A whirlwind of a film! Further proof Japan does grown-up children’s stories better than the United States!” – The New York Times

Exploring her grandmother’s old villa, 10-year-old Stella is suddenly catapulted 100 years into the past on a fantastic time journey. She lands in the same villa and meets Clementine, a girl her own age, whom she recognizes as her great-grandmother. But there is no time for reminiscing: The family faces ruin, the villa is to be sold, and Clementine must relinquish her dream of studying to become a doctor – unless, of course, the children find the Star of the Orient.

Lotte, the irrepressible canine heroine and her invention-loving relatives are back! PCFF premiered this film in Providence in 2013, and now a new generation can enjoy her antics.

It’s not often that a sequel far outshines the original, but” Lotte and the Moonstone Secret” is that movie! The irrepressible canine heroine of “Lotte in Gadgetland” (PCFF 2012) and her invention-loving relatives are back. Lotte takes us on a wonderful journey where you will visit with lunar rabbits, ballroom-dancing cats, fitness-mad cows and singing penguins in pants. Light but not lightweight, charming but not silly, genuinely funny both in visuals and dialogue, “Lotte” is a breath of animated fresh air.