Thanks to the Hitler-Stalin non-aggression pact, Poltava, Ukraine, in 1941 was still a place where the fruits of civilization—in the case of Wunderkinder, music—flourished. Of course, all that changed when the Nazis invaded, and Marcus O. Rosenmüller’s achievement is to evoke those pre- and post-invasion times through the eyes of three children, all of them gifted musicians.
Pianist Larissa (Imogen Burell) and violinists Abrascha (Elin Kolev) and Hanna (Mathilda Adamik) share a great love of music and a friendship based on the joy they take from constant discovery—all three dream of playing Carnegie Hall one day. When the Nazis invade, the three of them—Larissa and Abrascha are Jewish, Hanna is German—find their friendship torn apart and their worlds collapsing through no fault of their own.
Lovingly directed as a poem to lost innocence, Wunderkinder is not a “children’s film.” It is a film from a child’s perspective that may help some families talk about the loss and destruction of World War II and the horror of the Holocaust.
Director David Fine’s documentary takes something many American youths are familiar with (basketball), and moves us on a true-life journey to a land many of us are unfamiliar with (Iraq). The result is extraordinary. “Salaam Dunk” is an insightful look into young Iraqi life as experienced by a current women’s college basketball team. The players are a fascinating and genuinely inspiring bunch, and the squad’s mere existence provides a stirring example of the possibilities for young Iraqis outside the country’s war zones. What they overcome on the court, you have seen in other movies; what they must overcome in their Iraqi society, you have not.
The Crocodiles” was a huge hit at our 2011 festival, so screening the second installment of their trilogy was a no-brainer! All the original cast members are back (looking a little older as kids are prone to do), and several new characters assist in solving another town conspiracy. This time the gang of pint-sized detectives stumbles across a plot involving a local factory threatened with a mysterious closure. Worried that their parents will lose their jobs, the young sleuths must work together to uncover the sinister plan.
“The Crocodiles Strike Back” is packed with plenty of adventure and humor. What this film has above and beyond other films made for young adults is a sincere development of characters with real-world domestic situations. There are kids from broken families trying to cope. Racism is tackled, as are stereotypes of the physically challenged, often in humorous ways. These evolving young adults are empowered through their friendship despite entering a difficult age of thinking romantically about each other. There is still teasing but with respect for one another. Dealing with issues relevant to kids around the world, this entertaining coming-of-age film is guaranteed to thrill audiences.
A true-to-life film about fulfilling potential and overcoming destiny, “I am Kalam” has touched hearts across India and worldwide. Chhotu, a bright yet impoverished Rajasthani boy, dreams of gaining an education while he works at a roadside cafe. When he hears an inspirational message from President Kalam, he changes his name to Kalam and commits to studying independently whenever he can. He befriends a local prince, but the two must fraternize in secret. Through their forbidden friendship and a case of misjudged intentions, Kalam struggles to find his place and tries to meet the president. A heartwarming narrative, “I Am Kalam” speaks not only to the dreams of many uneducated children in India but to anyone who has dared to seek a better life for himself.
The Blue Gnomes that live in a mountain are in charge of the “magic silver” that brings sunlight to every day. The Red Gnomes are farm Gnomes with low opinions of those uppity Blues. After the magic silver is stolen by a gnome , the theft brings out the best between the two gnome groups to restore the daylight. With gnome hats to die for and a sleigh chase Tarantino would envy, this is the film that broke opening-day box-office records in Norway.
Abila, 14, lives in the violent slum jungle of Kibera, in Nairobi, Kenya. He is a Luo – one of the many Kenyan tribes. He is smitten with Shiku, who is the same age, but she is a Kikuyu, and that is the problem. Boys and girls from different tribes are not encouraged to mix. But Abila has another problem. At the start of the film, he finds his father in a disturbing state. His mother says it’s a hangover, but Abila has a feeling there’s more going on. He finds out that his father’s soul has been stolen by a Nyawawa, a female spirit. Despite the hostility of the surroundings, Abila and Shiku set off together to save the soul of Abila’s father.
You could say that the location is the real protagonist of this film. Shot in 13 days, this film was made in Kibera, where more than one million people live and battle for survival. Its residents acted the film’s parts.
This film emerged from a workshop and benefited from production support by the famous German director Tom Tykwer. Above all, the camera work is of a level that is seldom seen in African pictures. The authentic background in combination with the outside support turned “Soul Boy” into a sparkling – and surprisingly professional-looking — short film.
Sixteen-year-old Chandani has a burning desire: She wants to follow in her father’s footsteps and become a mahout, a traditional elephant caretaker in Sri Lanka. This is customarily a job only for men; all the other mahouts around her doubt her abilities and oppose her plans. This is a small story with much large implications: If Chandani succeeds, she will be the first female mahout ever. Some of the most powerful scenes are the ones when nothing is spoken.
In a contemporary small town around a closed-down factory, bored ‘tween friends, some from broken homes, are looking for creative ways to spend their time. They build forts, issue dares and tease one another. The Crocodiles is the name of this gang of 11-year-olds and a newcomer (who uses a wheelchair) wants in.
Part Hardy Boys, part “Stand By Me,” part “The Outsiders,” this fast-paced film combines classic elements with a larger message of breaking down stereotypes. Please be warned that the dialogue is stronger than an American audience may be used to. There is a domestic abuse scene. Slurs and stereotypes are expressed. However, this difficult dialogue is not used for shock value. It is part of the larger and more important narrative of kids learning how hurtful their exclusionary actions and hateful words can be, then making amends.
Blonde, blue-eyed, white-skinned Azur and black-haired, brown-eyed, dark-skinned Asmar are lovingly raised as brothers by Asmar’s gentle mother, who tells them magical stories of her faraway homeland and of the beautiful, imprisoned Djinn Fairy. The boys are separated by Azur’s brutal father and do not meet again until they are young adults. Grown-up Azur, now a blind beggar, and Asmar, a dashing horseman, are reunited as adversaries on a dangerous quest to find and free the Djinn Fairy.
In partnership with RISD Museum and Gallery Night Providence, PCFF 2014 brought back one of 2013’s audience favorites for a command – and free! – performance. “Le Tableau” is set within the world of an idyllic but incomplete painting, long ago abandoned by its painter. In his absence, the figures in the painting have taken over the narrative to serve their own ends. After the screening, you will be invited to explore, with the guidance of museum educators, RISD’s own collection of All-Dones, Sketchies and Halfies!
REVIEWS:
“Enchanting! This consistently enjoyable, inventive and beautifully crafted tale is a color riot suitable for all ages! A constant feast for the eyes!” – Variety (8/12)