In a contemporary small town around a closed-down factory, bored ‘tween friends, some from broken homes, are looking for creative ways to spend their time. They build forts, issue dares and tease one another. The Crocodiles is the name of this gang of 11-year-olds and a newcomer (who uses a wheelchair) wants in.
Part Hardy Boys, part “Stand By Me,” part “The Outsiders,” this fast-paced film combines classic elements with a larger message of breaking down stereotypes. Please be warned that the dialogue is stronger than an American audience may be used to. There is a domestic abuse scene. Slurs and stereotypes are expressed. However, this difficult dialogue is not used for shock value. It is part of the larger and more important narrative of kids learning how hurtful their exclusionary actions and hateful words can be, then making amends.
Filmed against the sweeping landscapes of the remote Mongolian mountains on the Kazakhstan border, this story of self-discovery introduces us to Bazarbai, a 12-year-old nomadic boy who dreams of joining his brother in the city of Ulan Bator to make his fortune. His father, however, has other plans: to teach his son the trade of eagle hunting, a generations-long family tradition. Bazarbai does indeed travel to the city, carrying his father’s aging eagle with him. When the bird is taken from him, the boy realizes his strong bond not only with the bird, but also to his family. A metaphor for his own life’s path, Bazarbai’s journey leads him through dangers and temptations to finally accept responsibilities he must claim as his own. The cinematography plays a crucial role, as we are dazzled and moved by spectacular scenes of soaring eagles in their native habitat.
Sometimes a carefully placed kiss on the cheek can stay with you longer than a clumsy vampire’s bite to the neck. This first feature starring Zoe Kazan (“It’s Complicated,” “Revolutionary Road”) is on one level a very simple story: a look at the quiet emotional crises of a 20-year-old college student on spring break. But it has been crafted with such a skilled, subtle hand that it holds our interest without noticing how it’s done.
“The Exploding Girl” confronts the mysteries of everyday life by focusing not on life’s dramatic moments but on the low-key spaces in between. With all of the awkwardness that never makes it into a Hollywood film, this is a great film for teens coming of age to see with Mom or Dad.
Reviews:
“This quietly poetic little gem contains many beautiful things, not least of which is leading lady Zoe Kazan, who lets every scene billow and swirl around her effortlessly.” Joe Neumaier – New York Daily News
“The Exploding Girl” is a lovely, languorous film that does much with little and leaves you feeling like you’ve witnessed some minor miracle. Kazan’s done some good work in supporting roles, but this should put her on the map as the real deal.” Laura Clifford – Reeling Reviews
What is it that makes night so mysterious? What makes us fall asleep and dream? In “Nocturna,” a colorful group of creatures work to make nighttime a magical place where anything and everything is possible. Tim’s unexpected visit to this world leads him to explore strange new places led by his new found friends in his search for the lost stars. This very creative Spanish film has the feel of “The Triplets of Belleville” if it were directed by Tim Burton.
Magic, fantasy and Celtic mythology come together in a riot of color and detail that dazzle the eyes in this sweeping story about the power of imagination and faith to carry humanity through dark times. To complete a magical illuminated manuscript, young Brendan must overcome his deepest fears on a dangerous quest through an enchanted forest beset by barbarians. Will his determination and artistic vision conquer darkness and show that enlightenment is the best fortification against evil?
Set in scenic but strife-ridden Kashmir, “Tahaan” tells the story of an eight-year-old boy who tries to gain back his beloved pet donkey that has been sold along with his family’s possessions to pay the family debt. He wanders village and countryside, navigates border checkpoints, negotiates with merchants and money lenders on his quest – and is recruited to hurl a grenade into an army compound. Lush cinematography and a recurring chorus of Sufi singers add texture to this tender fable.
In a tale akin to “Romeo and Juliet,” the strong bond between two children is threatened by their parents’ differences. Malú is from an upper-class family and her single mother does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother, a poor Socialist, proud of her family’s social standing, places similar restrictions on her son. When the children learn that Malú’s mother is planning to leave Cuba, they decide to travel to the other side of the island to find Malú’s father and persuade him against signing the forms that would allow it.
Over the course of a year, this witty documentary follows two urban, multiracial 11-year-olds as they explore their place in the food chain. Sadie and Safiyah talk to storekeepers, farmers, food activists, farmers to learn more about the origin of the food they eat, how it’s cultivated and how far it travels from farm to fork. The girls formulate sophisticated and compassionate opinions about urban sustainability, and by doing so inspire hope and active engagement.
Jojo, a lively 10-year-old with a difficult home life marked by a volatile father and an absent mother, finds solace in an abandoned baby jackdaw (“kauw” in Dutch). Through the special friendship he builds with the bird, the bond between Jojo and his father will be strengthened or broken. That it sometimes takes one death to accept another could be one of several messages this sensitive, but at times challenging, film has to offer.
REVIEWS:
“In a field dominated by many ambitious and weighty films, the Dutch submission for this year’s foreign language Oscar is appealing for its modesty… The film rests on the two splendid performances at the center. (JoJo) Rick Lens has to hold our attention for every minute of the film, a feat that he accomplishes effortlessly. The actor is completely convincing in his moments of joyous abandon as well as others of frustration and rage. He’s endearing without ever turning cloying, and this is surely a tribute to the skill of director Boudewijn Koole. Loek Peters is equally compelling as Jojo’s rather helpless father. The moments when Peters’ character responds to Jojo with brutality are disturbing, but we always understand the anguish that underlies the character’s anger.” – The Hollywood Reporter (12/7/12)
“Gabriel” is a story of friendship and teenage dilemmas, with a touch of both mystery and comedy. A family tragedy left 12-year-old Tomek living with his grandparents from infancy. His desire to meet his father inspires a road trip full of dangerous adventures. A mysterious friend (Gabriel) with impeccable timing keeps the journey alive. The closer Tomek gets to his father, the closer he discovers the secret of Gabriel.