Two orphaned siblings (ten-year-old Pari and her brother, eight-year-old Chotu) leave an abusive aunt in search for medical help to bring back Chotu’s eyesight. In a mystical tale they encounter the best and the worst of Indian society on their search for a Bollywood star who offers financial assistance. During their quest you can feel the heat, smell the curries, enjoy the colors and music from the other side of the world.
Winner BEST FILM Generation KPlus Berlin Crystal Bear 2015
Aylin, age 17, finds herself caught between worlds: A world of accepting her mother’s death or not. A world of struggling to survive as a Turkish family in Germany or returning home. Most importantly, a world of facing her fears at school to succeed or to remain in violent isolation. She finds answers in the story of Hördur (the horse): an Icelandic pony is never allowed to return once it leaves its homeland. By developing the courage to challenge her status in the world, Aylin develops a bridge to self-discovery, and like Hördur, never looks back.
Reading the title might make you clap hands with your neighbor in time to the well-known chant. This wonderful documentary explores this rhythmic rite of passage, usually between young girls, in the US and around the world. Contemporary and historical footage are intertwined creating what some admiringly refer to as “hand graffiti,” “jazz of the streets” and “percussive poetry.” As it swings between games and interviews with young girls, LET’S GET THE RHYTHM has a beat; its incandescent musicality brings this hand-clapping universe to life!
Ten-year-old Fernando is a precocious boy living in a small Brazilian town in the 1930s with faithful friends and a strict yet loving family. His desire to tinker, explore and experiment constantly lands him in trouble. A resolution to this perpetual cycle of penance presents itself when a “twin Fernando” arrives unexpectedly. He willingly serves Fernando’s time (detention, grounding in his room, even attending school) while Fernando lives a life of indulgence, fishin’ n’ forts. All goes well, until it doesn’t!
“T-Rex” is an intimate, true coming-of-age story about a new kind of American heroine. in 2012, women’s boxing debuted at the 2012 Olympics. Fighting for gold from the USA is Claressa “T-Rex” Shields, just 17 years old and by far the youngest competitor. From the hard knock streets of Flint, Mich., Claressa is undefeated and utterly confident. Her fierceness extends beyond the ring as he protects her family at any cost, even when their instability and addictions threaten to derail her dream. Claressa does have one stable force in her life. Coach Jason Crutchfield has trained her since she was just a scrawny 11-year-old hanging out at his gym. Jason always wanted a champion, but never thought it’d be a girl. Her relationships with her coach and her family grow tense as she gets closer to her dream, but Claressa is determined. She desperately wants to take her family to a better, safer place and winning a gold medal could be her only chance.
Imagine this. Your name is Gus and you live in the most boring village in the Netherlands. You walk into your bedroom one day and there’s an actual Egyptian mummy sitting on your bed. What do you do? Well, first you jump out of your skin (of course). Then you close your eyes, count to ten, count to twenty…but it doesn’t help. The Mummy is still there!
The Mummy named Dummie (Darwishi Ur-Atum Msamaki Minkabh Ishaq Eboni) died over 4,000 years ago when he was only ten years old. But thanks to the magic of the golden scarab and one lucky lightening strike, he has come back to life as a mummy in a very changed world.
Gus and his father have no idea at first what to do with Dummie. Should they call a museum? The police? They decide to invite him into their family by pretending he is a cousin from Egypt who has suffered bad burns. Gus’ life changes completely as he becomes best friends with Dummie the Mummy. Gus enrolls Dummie into his school but not everybody is happy with this creepy new stranger in their midst.
One dreadful day, Dummie’s powerful golden scarab goes missing and the magic slowly fades away. Dummie falls ill and Gus and his dad fear he may die all over again. Gus must now do everything he can to find the powerful scarab. Who could have stolen it? And can Dummie be saved in time? This dilemma’s resolution brings to light the importance of tolerance, friendship and being part of a community.
This futuristic film, with BLADE RUNNER-esque grit, depicts a world where robots are as prolific as cell phones are today. Since his mother passed away, Tibor, age 11, has relied more strongly than ever on his lifelong friend T.I.M. (The Incredible Machine). T.I.M. is in need of a major overhaul, and so Tibor’s father trades T.I.M. in for an upgrade. But how do you upgrade a “friend”? A peril-filled quest, Tibor’s search for T.I.M. puts his friendship to the ultimate test.
ALMOST FRIENDS is a documentary about two Israeli girls—an Arab and a Jew—who live only 40 miles away but in many ways live worlds apart. Participating in an online program that fosters educational exchange and friendship, the two girls correspond with caution and eventually meet face-to-face. The experience is profoundly moving for them, their families, and the audiences who see this touching film. But when conflict spans generations, change is slow and “almost” anything might be a start…
Dylan, age 12, copes pretty much on his own in small Western Australian town while his father is in a state of oblivion following the death of Dylan’s mother. One day at school he discovers an odd gift: the ability to craft a paper plane that flies longer and faster than any of those of his peers. So begins this charming and near-irresistible crowd-pleaser that follows Dylan as he folds his way toward the World Paper Plane Championships in Japan (and more importantly, emotionally closer to his father).
Thanks to the Hitler-Stalin non-aggression pact, Poltava, Ukraine, in 1941 was still a place where the fruits of civilization—in the case of Wunderkinder, music—flourished. Of course, all that changed when the Nazis invaded, and Marcus O. Rosenmüller’s achievement is to evoke those pre- and post-invasion times through the eyes of three children, all of them gifted musicians.
Pianist Larissa (Imogen Burell) and violinists Abrascha (Elin Kolev) and Hanna (Mathilda Adamik) share a great love of music and a friendship based on the joy they take from constant discovery—all three dream of playing Carnegie Hall one day. When the Nazis invade, the three of them—Larissa and Abrascha are Jewish, Hanna is German—find their friendship torn apart and their worlds collapsing through no fault of their own.
Lovingly directed as a poem to lost innocence, Wunderkinder is not a “children’s film.” It is a film from a child’s perspective that may help some families talk about the loss and destruction of World War II and the horror of the Holocaust.