In a contemporary small town around a closed-down factory, bored ‘tween friends, some from broken homes, are looking for creative ways to spend their time. They build forts, issue dares and tease one another. The Crocodiles is the name of this gang of 11-year-olds and a newcomer (who uses a wheelchair) wants in.
Part Hardy Boys, part “Stand By Me,” part “The Outsiders,” this fast-paced film combines classic elements with a larger message of breaking down stereotypes. Please be warned that the dialogue is stronger than an American audience may be used to. There is a domestic abuse scene. Slurs and stereotypes are expressed. However, this difficult dialogue is not used for shock value. It is part of the larger and more important narrative of kids learning how hurtful their exclusionary actions and hateful words can be, then making amends.
Sometimes a carefully placed kiss on the cheek can stay with you longer than a clumsy vampire’s bite to the neck. This first feature starring Zoe Kazan (“It’s Complicated,” “Revolutionary Road”) is on one level a very simple story: a look at the quiet emotional crises of a 20-year-old college student on spring break. But it has been crafted with such a skilled, subtle hand that it holds our interest without noticing how it’s done.
“The Exploding Girl” confronts the mysteries of everyday life by focusing not on life’s dramatic moments but on the low-key spaces in between. With all of the awkwardness that never makes it into a Hollywood film, this is a great film for teens coming of age to see with Mom or Dad.
Reviews:
“This quietly poetic little gem contains many beautiful things, not least of which is leading lady Zoe Kazan, who lets every scene billow and swirl around her effortlessly.” Joe Neumaier – New York Daily News
“The Exploding Girl” is a lovely, languorous film that does much with little and leaves you feeling like you’ve witnessed some minor miracle. Kazan’s done some good work in supporting roles, but this should put her on the map as the real deal.” Laura Clifford – Reeling Reviews
When a child makes a twig his best friend, a parent may worry. Fear not, for this twig (Twigson) has Junior’s best interests at heart! Twigson is married to a white birch that just had a baby (“He has my face but your bark”). When the Daddy Twigson disappears, Junior needs to use imaginative ways to find him. But as any fortune cookie may tell you, “When you look for one thing, you might end up finding something else completely.” Based on the popular children’s book series by Anne Cath Vestly.
Once dubbed “the most famous man in the world,” Charlie Chaplin has long been recognized as one of the preeminent icons of both comedy and cinema. From 1914 until 1967, Chaplin wrote, directed, produced and starred in more than 80 films, quickly advancing from basic slapstick to a unique comic style: immaculately constructed, deeply human, and always hilarious. “Modern Times” is one of his most acclaimed works that can make a child (or the child in us) laugh with abandon while truly empathizing with his iconic character, the down-and-out Tramp.
Because of its cultural significance, “Modern Times” was selected by the Library of Congress in 1989 for preservation in the National Film Registry.
Set against the backdrop of the wolf reintroduction program in Yellowstone National Park, “Druid Peak” is a coming of age story about a troubled teenage boy who finds a home tracking wolves in the wildlands of Wyoming.
Sixteen-year-old Owen isn’t just rebellious—he’s a bully with a mean streak. Growing up in coal country West Virginia, he struggles against the claustrophobia of small town life, lashing out against school and family. But when his actions lead to the death of a friend, Owen is sent to live with his estranged father, Everett, a biologist on Yellowstone’s wolf reintroduction program.
At first, Owen wants no part of this new life. Then he comes face to face with a Canadian grey wolf. The creature’s deep, penetrating gaze startles him, stirring something long dead inside his own self. Sensing the first signs of change in his son, Everett encourages Owen to collect some basic data about the wolf he saw and its family pack–the Druid Peak pack. Owen’s small assignment grows into a passion and his own life becomes deeply tied to the Druid Peak wolves and their struggle for survival. When a change in government policy threatens the animals, Owen must decide how far he will go to protect the wolves, his father and the place he has finally come to call home. A coming-of-age story with a conservation twist, Druid Peak is a film about the human soul’s need for wild things, and the challenges of holding onto them.
Writer/director Marni Zelnick was awarded a $100,000 production grant from the Alfred P. Sloan Foundation for work on this film. Shot on location in West Virginia, Wyoming, Idaho, Montana and Utah, “Druid Peak” stars Spencer Treat Clark (“Mystic River,” “Gladiator”), Andrew Wilson (“Rushmore,” “The Royal Tenenbaums”), Rachel Korine (“Spring Breakers,” “Septien”) and the wolves of Wasatch Rocky Mountain Wildlife (“White Fang,” “Into the Wild”).
Misfit German teenager Mika is sent to live in the country with her stern grandmother, who happens to have been an Olympic equestrian. One of her grandmother’s horses, Windstorm, is just as unhappy with the world around him as Mika is with hers. Together, they find a sense of happiness that gets them through several über-dramatic ordeals. It will be difficult not to get drawn into this tale that is part “Horse Whisperer” and part “Karate Kid,” with a pinch of “National Velvet.”
One of the most famous shots in silent comedy: a man in a straw hat and horn-rimmed glasses, hanging from the minute hand of a clock 12 stories above the street – and yet not many people have seen “Safety Last!” The comic genius of silent star Harold Lloyd is eternal. Chaplin is the innocent Tramp, Keaton the stoic outsider, but Lloyd—the modern guy striving for success—is us. With its torrent of perfectly executed gags and astonishing stunts, “Safety Last!” is the perfect introduction to this luminary of the silent era.
** USA PREMIERE**
While attending a super-cool summer camp where campers compete to build the highest multi-story, self-standing structure possible using scrap wood, a best friendship between two adolescent boys is greatly tested. A series of misunderstandings and hurtful slights, some intentional and some not, creates a building tension that grips the viewer’s attention—and empathy—to the end. Director Marien Rogaar has constructed a film with an amazingly caring hand. Don’t miss this USA PREMIERE!
Patema is a precocious teen who loves to explore the caverns and tunnels of her subterranean world until she falls into the DANGER ZONE! In her inverted gravity world, she falls upwards to the Earth’s surface and risks falling into the sky. Saved by an equally rebellious young man who is charmed by this upside-down girl, they fight to save her from the totalitarian surface government that seeks to annihilate her subterranean civilization and the freethinking people they represent. A dizzying, suspenseful animé.
SINGIN’ IN THE RAIN has been voted one of the greatest films of all time in international critics’ polls. There are other contenders: Top Hat, Swing Time, An American in Paris, Oklahoma, and West Side Story, but SINGIN’ IN THE RAIN stands above the rest because it is not only from Hollywood, it is about Hollywood. This 1952 musical offers a comical depiction of the American movie business caught up in the bumpy transition from silent films to “talkies”. A modest hit when first released, it eventually became legendary. Starring Gene Kelly, Donald O’Connor, Debbie Reynolds and Jean Hagen.