This fascinating documentary charts the adventure of Laura Dekker, a 14-year-old Dutch sailor, who set out alone on a two-year voyage to fulfill her dream of becoming the youngest person ever to sail around the world. The journey was not without controversy, but “Maidentrip” is pleasantly free from the hysteria that surrounded Laura for more than a year. It presents her trip in a judgment-free manner. It neither suggests (as it understandably could) that 14 is an alarmingly young age to traverse the mightily unforgiving Pacific and Atlantic Oceans, nor takes a blindly positive “Ra! Ra! Go Laura!” position (as would be tempting, given that Laura proves herself an admirable rebel in many ways).
Laura is portrayed as an independent outsider, at once open-hearted, enviably confident and a bit prickly, sick of what she sees as daily life in Holland—which she sums up succinctly: “Get money, get a house, get a husband, get a baby, then die.” She pines for a truly outsized adventure. While other young record-holding sailors completed the round-world trip without lengthy stops at ports, Laura gives herself two years for the excursion, so that she can soak in the land-bound culture of the different climes where she alights (among them French Polynesia, Australia, the Galapagos Islands and South Africa). Low-key yet lyrical, “Maidentrip” illustrates in vivid colors the mundane as well as the magnificent moments at sea and underscores the courage of one young woman, battling the elements—and the courts—and enjoying every minute of it.
Misfit German teenager Mika is sent to live in the country with her stern grandmother, who happens to have been an Olympic equestrian. One of her grandmother’s horses, Windstorm, is just as unhappy with the world around him as Mika is with hers. Together, they find a sense of happiness that gets them through several über-dramatic ordeals. It will be difficult not to get drawn into this tale that is part “Horse Whisperer” and part “Karate Kid,” with a pinch of “National Velvet.”
Fans of Hayao Miyazaki and Studio Ghibli, it’s time to expand your horizons! This beautiful, modern-day fairy tale is the latest animated feature from Mamoru Hosoda (“Summer Wars,” screened at PCFF 2011; “The Girl Who Leapt Through Time”). “Wolf Children” is an exquisite fantasy about a single mom, Hana, who had the misfortune of falling in love with a wolf man. He was kind and considerate, but given to roaming the streets at night on four legs—which is how he comes to a tragic end. Alone, Hana learns to care for kids who have the plucky charm of young humans, but the unpredictability and appetite of growing puppies. With its gorgeous animation and sensitive, multifaceted direction, this is a funny, exhilarating and touching film about nature, nurture, and the call of the wild. It’s ideal family viewing—and equally suited to wolf packs.
Eskil is an unhappy, self-reliant eleven-year-old boy who is constantly on the move due to his father’s job. Trinidad is the town’s cranky, eccentric woman he is warned to stay away from—but doesn’t. In the time spent with Trinidad building her boat, Eskil discovers a self-awareness that helps restore his relationship with his separated parents. Trinidad gains a supporting friend who helps her achieve a lifetime goal. Children’s films this beautiful and genuine are rare.
Patema is a precocious teen who loves to explore the caverns and tunnels of her subterranean world until she falls into the DANGER ZONE! In her inverted gravity world, she falls upwards to the Earth’s surface and risks falling into the sky. Saved by an equally rebellious young man who is charmed by this upside-down girl, they fight to save her from the totalitarian surface government that seeks to annihilate her subterranean civilization and the freethinking people they represent. A dizzying, suspenseful animé.
SINGIN’ IN THE RAIN has been voted one of the greatest films of all time in international critics’ polls. There are other contenders: Top Hat, Swing Time, An American in Paris, Oklahoma, and West Side Story, but SINGIN’ IN THE RAIN stands above the rest because it is not only from Hollywood, it is about Hollywood. This 1952 musical offers a comical depiction of the American movie business caught up in the bumpy transition from silent films to “talkies”. A modest hit when first released, it eventually became legendary. Starring Gene Kelly, Donald O’Connor, Debbie Reynolds and Jean Hagen.
Maya is a little bee with a big heart. For a hive to exist there are rules that must be followed. Let’s just say, Maya’s curiosity does not help her remember the rules. She can’t help but make friends with other bugs in the meadow including the most threatening bugs of all – HORNETS! When the royal jelly goes missing, Maya’s “flaws” help save the hive. Part musical, part comedy, part suspense film, MAYA THE BEE has it all!
Still mourning the death of his mother, gentle nine-year-old Finn also has to struggle with his father’s insistence that he play soccer. When Finn meets a mysterious old man playing a violin at an abandoned farm, the beauty of the music entrances him. Determined to learn how to play, he sneaks away for lessons. Finding comfort and strength in the music, Finn seems to have found his calling…and much more. Pay attention! There are twists in this story that will make you want to see it twice!
In a world of children’s films largely dominated by action-packed 3D animation, Ernest and Celestine’s old-fashioned charm, simple message about the value of friendship, and magical watercolors stand out. Little mice are taught to be afraid of bears, but when Celestine’s dream of meeting one is realized, the lumbering, grumbling Ernest proves to be the best friend an open-minded mouse could ask for. From the creators of Triplets of Belleville and The Secret of Kells.