It is safe to say you have not seen a film like this before. “EEP!” is based on a book with a familiar premise: An unexpected central character appears whose mere presence inspires the people she meets to reflect on their own lives to find more happiness. The ethereal and acclaimed actress Kenadie Joudin-Bromley takes this movie to another place. By using what some could see as a physical obstacle –primordial dwarfism – this Canadian eight-year-old creates a character you will remember lovingly.
In this imaginative and beautifully shot film, a bird watcher finds a little living creature in the grass under a tree and no adult bird around to claim her. He brings her to his wife, who insists this will be their child to raise. They name her Beedie and we follow her quick growth into bird/human maturity. When Beedie follows her instinct to flock with other birds, the attempts to bring her back bring many people together in wonderful, often comic, ways.
There are no special effects used for this tiny bird child — except her feathered arms. Beedie, played by Kenadie Jourdin-Bromley, has primordial dwarfism, suffered by less than 100 people in the world. Born at 2 1/2 lbs and not expected to live more than a few days, she has defied the odds.
“Louder than a Bomb” is a film about passion, competition, teamwork and trust. It’s about the joy of being young and the pain of growing up. It’s about speaking out, making noise and finding your voice. It also happens to be about poetry.
Every year, more than 600 teenagers from more than 60 Chicago-area schools gather for the world’s largest youth poetry slam, a competition called “Louder Than a Bomb.” Founded in 2001, Louder Than a Bomb is the only event of its kind in the country—a youth poetry slam built from the beginning around teams. Rather than emphasize individual poets and performances, the structure demands that kids collaborate: presenting, critiquing and rewriting their peers’ pieces. To succeed, teams have to create an environment of mutual trust and support. For many kids, being a part of such an environment—in an academic context—is life-changing.
This suspenseful story carries a strong warning about the Internet as it is evolving today. When one computer-savvy teenager unwittingly cracks a security code to an international site that most people use every day…havoc ensues. With ingredients of uncommon-nerd heroes, Takeshi Murakami-designed internet avatars and of course, teenage crushes: This film will keep you glued to your seat, laptop, Smartphone …
Kenji, a teenage math prodigy, is recruited by his secret crush for the ultimate summer job – passing himself off as her boyfriend for four days during her grandmother’s 90th birthday celebration. But when Kenji solves a 2,056-digit math riddle sent to his cell phone, he unwittingly breaches the security barricade protecting OZ: a globe-spanning virtual world where millions of people and governments interact through their avatars, handling everything from online shopping and traffic control to national defense and nuclear launch codes. Now a malicious AI program called the Love Machine is hijacking Oz accounts, growing exponentially more powerful and sowing chaos and destruction in its wake.
This intriguingly intelligent cyberpunk/sci-fi story is a visual tour-de-force, especially the amazing world of OZ: a hallucinatory pixel parade of cool avatar designs, kung fu jackrabbits, toothy bears and a bursting rainbow of colors.
REVIEWS:
“A stunning mixture of hand-drawn and CGI visuals in an endlessly colorful world filled with grotesque, razor-sharp toothed avatars. Its thematic ambition and dazzling visual style ultimately make it one of the more rewarding anime efforts to reach these shores!” – Hollywood Reporter
“A whirlwind of a film! Further proof Japan does grown-up children’s stories better than the United States!” – The New York Times
Meet some eccentrics, visionaries, and just plain folks who have transformed their autos into art works, led by director/narrator/Camera Van owner Harrold Blank. Subjects featured include world-renowned spoon bender Uri Geller and his fork-and-spoon-covered “Peace Car,” Howard Davis’s “Telephone Car,” and religious folk artist Leonard Knight, who’s painted his vehicles as well as most of an entire mountain in the desert as a testament to his faith. On a humorous and touching journey, we find that an art car has the power to change perspective in an increasingly homogeneous world.
Parkour – a movement discipline based on French military obstacle-course training – might be considered controversial, but seeing it is not. Cedric Dahl’s documentary follows five American parkour practitioners who share this passion for movement. Characterized as a physical “type of freedom,” “kind of expression,” and “state of mind,” parkour has influenced the stunts in action films from Bond to Bourne. But there’s much more to it than chasing the bad guy with acrobatic moves. As one practitioner comments, “If you listen to the movement it teaches us to touch the world and interact instead of being sheltered by it.”
Once dubbed “the most famous man in the world,” Charlie Chaplin has long been recognized as one of the preeminent icons of both comedy and cinema. From 1914 until 1967, Chaplin wrote, directed, produced and starred in more than 80 films, quickly advancing from basic slapstick to a unique comic style: immaculately constructed, deeply human, and always hilarious. “Modern Times” is one of his most acclaimed works that can make a child (or the child in us) laugh with abandon while truly empathizing with his iconic character, the down-and-out Tramp.
Because of its cultural significance, “Modern Times” was selected by the Library of Congress in 1989 for preservation in the National Film Registry.
Lotte, the irrepressible canine heroine and her invention-loving relatives are back! PCFF premiered this film in Providence in 2013, and now a new generation can enjoy her antics.
It’s not often that a sequel far outshines the original, but” Lotte and the Moonstone Secret” is that movie! The irrepressible canine heroine of “Lotte in Gadgetland” (PCFF 2012) and her invention-loving relatives are back. Lotte takes us on a wonderful journey where you will visit with lunar rabbits, ballroom-dancing cats, fitness-mad cows and singing penguins in pants. Light but not lightweight, charming but not silly, genuinely funny both in visuals and dialogue, “Lotte” is a breath of animated fresh air.
Despite Alfie’s close-knit, loving family, he’s always felt that he didn’t quite fit in. On the night of his seventh birthday, he finds out that he was right—he’s actually a werewolf! Alfie tries to keep this new identity a secret, but his brother, Timmie, finds out and tries to convince him to use his awesome powers against the school bullies. As Alfie thinks carefully about the consequences of using his powers, he learns even bigger lessons about balancing his life while accepting the werewolf within.
A playground fight leads to a journey of self-discovery in this delightful animation from Uruguay. Called to the principal’s office, 10-year-old Anina Yatay Salas (as named by her palindrome-loving father) is given a black envelope and told not to open it for the whole week she is suspended from school. Calling it the weirdest punishment in the history of weird punishments (she looked it up), our young heroine is tormented by what the envelope might contain and her active imagination conjures up all sorts of possibilities. Uruguay’s 2013 official submission to the Academy Awards for Best Foreign Language Film.
A charming and intriguing kids’ film from India, “Gattu” is about an orphan being raised by a strict uncle constantly frustrated by his nephew’s inability to focus on work. Gattu is obsessed instead with kite-flying, and in particular with defeating the mysterious Kali, a black kite that rules the skies. To do this, Gattu is prepared to steal, lie, and even go to school! The only problem—he is illiterate. Nonetheless, our hero takes up the challenge, proving anything might be possible when the will is strong enough. Nominated for Best Children’s Feature Film at the 2012 Asia Pacific Screen Awards.