Who or what do you care for? Sometimes those who care for others are not whom you would think. The stories told on this reel include a witch’s attempts to placate a baby she originally cared for in quite a different way, a fox who takes a baby bird “under his wing”, and a mother who decides it’s time to tell her daughter about her birth mother. They all share a theme about someone caring for another who is quite unlike themselves. Included on this reel are…
THE MAGIC FOREST AND THE THINGS – A six-year-old narrator teams up with an illustrator to tell a story about a land that has apple, chocolate, and dog food trees. (It’s not on any map!) Things go awry when a giant is asked to pick these trees for people to build their houses with. The giant was all too obliging to the point of picking almost all the trees! The people then realized you MUST be more efficient with the way you use these resources if everyone is going to have a home to live in. They adjust their ways and high fives all around! (2020 / 4 mins / USA / dir. Dave Russo / animation / in English / all ages)
THE PROMISE (PCFF 2021 Winner Children’s Hospital Jury Prize!) – The Promise is an urban fairy tale that plays out on the mean streets of a suffering city. Here, a young thief tries to snatch an old woman’s bag but she cannot have it without giving something in return: “the promise”. It is the beginning of a journey that will change her life and a chance to change the world for good. (2020 / 7 mins / UK / dir. Chi Thai / animation / in English / all ages)
THE LEAF – A larger than life sailor gets an autumn leaf from a small girl. It reminds him of his home and for how long he has not been there. He runs home to meet his old parents. What will he find? (2020 / 6 mins / Belarus / dir. Aliona Baranova / animation / non-dialogue / all ages)
THE FOX AND THE BIRD – A solitary fox finds itself improvising fatherhood for a freshly hatched baby bird. Two paths cross and a family is formed until fate reminds each of the life it is meant to lead. (2018 / 12 mins / Switzerland / dirs. Sam and Fred Guillaume/ animation / non-dialogue / all ages)
THE WITCH AND THE BABY – An aging witch needs a baby for a spell to make her young again. But when she brings home a recalcitrant infant things don’t go according to plan. (2020 / 5 mins / Russian Federation / dir. Evgenia Golubeva/ animation / in English / all ages)
AURORA – Once upon a time, there was a little girl who fell in love with a beautiful horse named Aurora. This expressive animation evokes children’s drawings and the texture of storybook illustrations. Aurora is a bittersweet story about love, friendship, and growing up. (2020 / 5 mins / USA-Canada / dir. Jo Meuris / animation / in English / all ages)
TOBI AND THE TURBOBUS is a heartwarming story about growing up in a wolf pack and finding the right place for yourself. Sometimes this requires leaving old friendships behind in order to start new, more supportive ones in the future. (2020 / 7 mins / Germany / dir. Verena Fels / animation / in English / all ages)
REHAK – A young girl discovers Rehak, a magical drawing hidden behind her bedroom wallpaper. She thinks she has found a new friend when in fact someone else has found an old one. (2020 / 7 mins / UK / dir. Pierre B / live-action & animation / in English / all ages)
TWO DIFFERENT KINDS OF LOVE – A young girl is old enough to start to learn about her adoption story. Her mother’s explanation shows she has given this conversation a lot of thought! (2020 / 6 mins / USA / dir. Alyce Vest / animation / in English / all ages)
MAÏJA – In the Nordic Islands, Maïja, a young girl, waits for the return of her father, away at sea. But the weather is worsening and her father is not coming back. (2019 / 7 mins / France / dirs. Arthur Nollet, Maxime Faraud, Mégane Hirth, Emma Versini, Julien Chen, Pauline Charpentier / animation / no dialogue / all ages)
ROSE – Rose’s life-long security blanket represents her mother’s love, which she clings onto as a toddler, tosses aside as a teen, and realizes she desperately needs at the start of adulthood. (2020 / 3 mins / USA / dir. Emily Kimes / animation / in English / all ages)
ATHLETICUS: The Encounter – A turtle “meeting” a puffin leads to the birth of an epic figure skating couple! (2019 / 3 mins / France / dir. Nicolas Deveaux / animation / no dialogue / all ages)
STOLEN KISSES – “When my grandmother had to move to an elderly home because she had dementia, I thought things would go downhill from there. But on the contrary. She met a man there, Rinus also diagnosed with dementia, and they fell in love. Unfortunately, he got mentally worse than her and had to move away to another home. I was shocked that nobody asked my grandmother and their feelings were so easily dismissed. Although my grandmother forgot a lot of things, she kept on asking me where Rinus was. Her feelings for him she did not forget. I wanted to tell this story. But since there are already many films with the theme of dementia, I thought it would be enlightening to see the story through a child’s eyes. Children also experience these sorts of things and can give us a fresh, sometimes funny, perspective. My grandmother died on October 20th, 2020 aged 96. She hadn’t yet seen my film, but I’m proud to have this also in loving memory of her.” – Lidi Toepoel (Director) (2020 / 14 mins / Netherlands / dir. Lidi Toepoel / live-action / in Dutch w/English subtitles / Ages 8+)
In a province in the middle of the Mongolian steppe, 11-year old Amra lives a traditional nomad life with his mother Zaya, father Erdene, and little sister Altaa. While Zaya takes care of the flock, Erdene works as a mechanic and sells Zaya’s homemade cheese at the local market. Their peaceful routine is threatened by the encroachment of international mining companies, digging for gold and devastating the natural habitat. Erdene is the leader of the last nomads opposing them and tries to unite and convince his comrades not to accept the compensations the companies have offered. But after Amra’s father dies in a tragic car accident, his mother wants to give up the nomad life and trade the steppe for the city. But Amra refuses and tries to carry on his father’s David vs. Goliath fight with his cleverness and the tools of an 11-year-old boy.
An unbeatable team of five teenage friends, the Peppercorns, unites to find out who is behind the kidnapping of a missing oceanographer who has discovered a means of getting rid of plastic waste in the ocean. A race against time begins to save her life and their future.
PCFF 2021 WINNER Special Jury Award Best Narrative Feature!
Jack raves about his younger brother Gio, whom he believes to have superpowers. As he grows older he realizes that his brother is special in other ways. In a moment of uncertainty, Jack decides to deny having a brother from his classmates. But he failed to take into account that a brother like Gio is a personality impossible to deny to anyone. The consequences are a hard lesson learned in this poignant, humorous coming-of-age-story full of clashing emotions. Will Jack dare be as natural as his brother? Based on a true story.
PCFF WINNER 2021 Audience Choice Award: Best Feature Documentary
When filmmaker Suzanne Crocker suggests that her family spend a year eating only locally sourced food, her husband and three teenagers are skeptical. What complicates this experiment is that the family lives in a remote Yukon town, less than 300 kilometers south of the Arctic Circle—not exactly an easy place to access fresh-grown food all year round. First We Eat follows Suzanne and her family as they hunt, forage, fish, grow and raise their own food, struggling along the way to create a meal plan with variety and flavor. In perhaps the most bizarre effort to inject some seasoning into her cooking, Suzanne even dries human blood to use as salt. Filmed primarily by the director herself, this challenging look at food security and sustainability is also an intimate study of a family in the midst of a tough but rewarding experiment.
We are delighted to be able to re-present this Festival Flashback from five years ago!
Cathy’s tenth birthday is tough enough without her eccentric father giving her an egg as a gift along with a warning: “Be there when it is born so the bird recognizes YOU as its mother.” After a game of hide-and-seek goes awry, Cathy’s friend Margaux unknowingly becomes the “mother.” Unfortunately for the bird and Margaux, her parents believe Margaux is unable to care for this pet from her wheelchair. It takes a duckling, a great friend, and a temporary flight from home to alter everyone’s understanding of life’s limitations.
THE CLUB OF UGLY CHILDREN (Netherlands, 2019)
This action-packed thriller unfolds in a dystopian world led by a new president whose motto, “Keep it Clean,” means rounding up kids who don’t meet his view of ideal looking citizens. Paul, his big sister, and their band of friends refuse to simply stand by. They mobilize with energy and ingenuity in this pulse-racing tale that will have you cheering from the edge of your seat! A stark warning against the rise of the far-right and the power of activism and social media.
New England Premiere
TESOROS (Spanish for “treasures”) is the wonderful new film by director Maria Novaro (DANZON). Refreshingly told from the children’s perspective, it examines topics from fanciful ideas about finding treasure and exploring new places to social anxiety and fitting in, and is a charming window into the heart of a child’s world.
The action kicks off when a family moves to a small town on Mexico’s Pacific Coast and find it hard to assimilate because they are different from the rest of the community. They are not excited about the new place or the new school, but siblings Dylan and Andrea join the local school and slowly settle in, making new friends. Soon, Dylan notices his new city has an uncanny resemblance to a treasure map and daydreams about finding treasure left behind by Sir Francis Drake. He convinces the entire class that treasure is underfoot, and gets everyone to participate in the search.
The slow days of living by the coast, loving families and burgeoning friendships between the children are the real story here.There are many vignettes of children with their kin, all different, showcasing the many configurations of loving families, and many scenes illustrating the peaceful Mexican lifestyle.
Novaro elicits relaxed and natural acting from the children. Some of the older protagonists are in their teens, yet the audience feels part of their group, as if you knew them. The overall tone is reminiscent of one’s own childhood, with some dull moments idly passing by, including those grueling days at school, contrasted by very exciting times with friends, running around and chasing after…something. TESOROS takes us on an enchanting voyage that ends with a find far more precious than a lost pirate’s treasure trove.
This documentary offers an extraordinary and tender examination of family life in ways that feel both personal and universal. When their mother is imprisoned, Ale and his sister Rocio’s relationship is faced with the greatest challenge possible: they must work together to parent their two young siblings.They promise to help each other and keep their family together until their mother is released, but as undocumented Honduran immigrants, living, working and studying in Mexico is difficult. Soon the prison wall that keeps their mother away gives rise to other emotional barriers that prevent the brother and sister from understanding each other. Just as they start to lose hope the family’s life takes an unexpected twist.
Important note from the director:
In 2014 I worked for a non-profit organization which helps convicted women, overseeing their cases and helping their re-introduction to society. I met Rocío and Alejandro’s mother on one of my visits to prison, and I was immediately struck by her energy and clear-headedness in such a terrible environment. The other inmates had a great respect for her.
The moment I pointed my camera at them and conducted my first interview I felt drawn to them, and I was particularly intrigued by the way they were handling the situation. The whole thing seemed to me like an extremely difficult predicament, but here I saw two courageous individuals with a great sense of humor who were willing to keep fighting. And I deeply admired them.
I later found out more about their story. Their life had been full of ups and downs from an early age, but the family had stayed together and remained strong through all of it. That history had turned them into very unique individuals; they were a great, tight-knit family and their ties were deep and complex.
What happens when a diverse group of LGBTQ youth dares to be “out” on stage to reveal their lives and their loves? THE YEAR WE THOUGHT ABOUT LOVE goes behind the scenes of one of the oldest queer youth theaters in America, with a camera crew slipping into classrooms, kitchens, subways and rehearsal rooms. Boston-based True Colors OUT Youth Theater transforms daily struggles into performance for social change. With wit, candor and attitude, this cast of characters captivates audiences who may be surprised to hear such stories in school settings. THE YEAR WE THOUGHT ABOUT LOVE introduces a transgender teenager kicked out of her house, a devout Christian challenging his church’s homophobia and a girl who prefers to wear boys’ clothing even as she models dresses on the runway. When real bombs explode outside their building, the troupe becomes even more determined to share their stories of love to help heal their city. Brave, encouraging, and funny…these are the inspiring LGBTQ youth leading us into the future.