No classroom for these kindergarteners: In Switzerland’s Langnau am Albis, a suburb of Zurich, children four to seven years of age go to kindergarten in the woods every day, no matter what the weatherman says. The filmmakers follow the forest kindergarten through the seasons of one school year to make their documentary film “School’s Out: Lessons from a Forest Kindergarten.” This eye-opening film looks into the important question of what it is that children need at that age. There is laughter, beauty and amazement in the process of finding out.

Thanks to the Hitler-Stalin non-aggression pact, Poltava, Ukraine, in 1941 was still a place where the fruits of civilization—in the case of Wunderkinder, music—flourished. Of course, all that changed when the Nazis invaded, and Marcus O. Rosenmüller’s achievement is to evoke those pre- and post-invasion times through the eyes of three children, all of them gifted musicians.

Pianist Larissa (Imogen Burell) and violinists Abrascha (Elin Kolev) and Hanna (Mathilda Adamik) share a great love of music and a friendship based on the joy they take from constant discovery—all three dream of playing Carnegie Hall one day. When the Nazis invade, the three of them—Larissa and Abrascha are Jewish, Hanna is German—find their friendship torn apart and their worlds collapsing through no fault of their own.

Lovingly directed as a poem to lost innocence, Wunderkinder is not a “children’s film.” It is a film from a child’s perspective that may help some families talk about the loss and destruction of World War II and the horror of the Holocaust.

Some kids are natural entertainers who have discovered a passion for the circus arts. In “Circus Dreams,” that passion finds fulfillment at Circus Smirkus, the only traveling youth circus in the US, annually assembling the finest young circus performers for its summer tour (including a stop in Rhode Island!). This documentary captures it all, from the grueling auditions to the successful tears of joy in being part of an extraordinary experience. Truly inspiring!

This is not your average group of kids. They are clowns, trapeze artists, jugglers and already accomplished entertainers. Beginning with extraordinary access into the auditioning process, the film highlights the trials and tribulations of a variety of young performers as they polish their acts and nervously await audition results. The 27 who are selected spend the summer together training full-time for what will eventually be 70 performances in 15 towns.

“Circus Dreams” perfectly balances the fun of the circus with insightful, behind-the-scenes drama in a perfect demonstration of what dedication, passion, talent and ambition make possible — no matter your age. No one performer outshines the other, as they all learn valuable lessons about teamwork and positive critique. Director Signe Taylor has captured an inspiring portrait of kids who break free of mainstream stereotypes and reach for their circus dreams.

If heights make you nervous, you might want to find another movie! Tancrède and Julien are two friends on an incredible exploration into the world of free flight. They are pioneers in “highlining” – a vertiginous combination of climbing, slackline and tightrope walking. Using their fearless skills and experience as climbers, the pair push the boundaries of possibility as they embark on a new evolution of their sport. Some would argue it’s art.

Follow their travels from the Verdon gorge to the skyscrapers of Paris and finally to the spectacular cliffs and fjords of Norway, where the pair put weeks into training for their ultimate test. (It’s hard not to think of Philippe Petit).

Having lost his left leg to bone cancer, Ka is left with only one leg to jump with. When he is discharged from the hospital, Dr. Chen gives him a present: a child’s picture book titled “Rolypoly.” The doctor tells him, “Jump five million times, and you’ll see Rolypoly.” Thus begins a story of a boy, an aging children’s book author wishing to correct a past misdeed (theft) and a Chinese village that embraces them both.

The film took three years to make due to the difficult process of combining live action with animations. All the stories (the animation parts) in the movie were bedtime stories the director told to his son 15 years ago. The main actor playing the author, Tien Bien, is a famous stage actor in Taiwan. All the children are non-professional actors.

Divercine International Children’s Festival 2007 Children’s Jury Award; Ene and Tõnis Kask Foundation of the Estonian National Culture Foundation 2006, Best Film; Latvian Film Festival 2007, Best Feature Length Animation;\Mill Valley Children’s Film Fest 2008, Audience Award; TINDIRINDIS International Animated Film Festival 2007, Best Feature-Length Animation

This feature-length animated film from Estonia is a gentle, spirited film full of wacky contraptions, silly/happy songs, and a warm and refreshingly un-cynical sense of humor. Lotte is a cheerful girl dog who lives in Gadgetville, a village crazy about inventing Rube Goldberg-esque machines. The town is abuzz about the Japanese bee Susumu, who introduces Gadgetville to the concept of judo. After the town becomes obsessed with the sport, Lotte and her three friends try to help Susumu get back to Japan to test their new skills in an international judo contest.

If there were such things as candy for your eyes, “Tales of the Night” would be it. Your vision will be tempted by the detailed day-glo backgrounds bursting with color and kaleidoscopic patterns. Director Michel Ocelot (“Azur & Asmar,” PCFF 2011) blends history with fairytale as viewers are whisked off to animated enchanted lands full of dragons, werewolves, captive princesses, sorcerers and enormous talking bees. The “tales” are six fascinating and exotic fables woven together, each unfolding in a unique locale, from Tibet, to medieval Europe, an Aztec kingdom, the African plains and even the Land of the Dead.

REVIEWS:

“Instantly timeless! A triumph of intricate craftsmanship!” – Variety
“Stunning! Newcomers to Ocelot’s work will be filled with wonder!” – Screen Daily
“Both a worthy successor to the first four films by Michel Ocelot, and a proposal for an innovative new approach that transcends the boundaries of animation.” – Cahiers du cinema

“Louder than a Bomb” is a film about passion, competition, teamwork and trust. It’s about the joy of being young and the pain of growing up. It’s about speaking out, making noise and finding your voice. It also happens to be about poetry.

Every year, more than 600 teenagers from more than 60 Chicago-area schools gather for the world’s largest youth poetry slam, a competition called “Louder Than a Bomb.” Founded in 2001, Louder Than a Bomb is the only event of its kind in the country—a youth poetry slam built from the beginning around teams. Rather than emphasize individual poets and performances, the structure demands that kids collaborate: presenting, critiquing and rewriting their peers’ pieces. To succeed, teams have to create an environment of mutual trust and support. For many kids, being a part of such an environment—in an academic context—is life-changing.

In a week-long comic journey, young Ravi sets out to make a Bollywood film with his schoolmates; writes a ransom note; casts a heroine; uses creative ways to engage his friends in his film during the ever-stressful exam season; reveals the darker side of his friends and family; and keeps his mother thinking that all his hard work was towards his final exams. Set in a middle-class India, where the pressure of examinations is the most defining aspect of a parent and child’s life during school years, this movie deftly balances humor with life lessons.

Meet some eccentrics, visionaries, and just plain folks who have transformed their autos into art works, led by director/narrator/Camera Van owner Harrold Blank. Subjects featured include world-renowned spoon bender Uri Geller and his fork-and-spoon-covered “Peace Car,” Howard Davis’s “Telephone Car,” and religious folk artist Leonard Knight, who’s painted his vehicles as well as most of an entire mountain in the desert as a testament to his faith. On a humorous and touching journey, we find that an art car has the power to change perspective in an increasingly homogeneous world.